Jessica Holzknecht, Rowan Crow, and Keenan Odenkirk in As You Like It; photo courtesy of Augustana Photo Bureau/Nadia Panasky '17Director Jennifer Popple's decision to set her Augustana College production of As You Like It in the 1960s is one of the most appropriate changes in time-setting for theatrical material I've yet witnessed. Such shifts sometimes seem gimmicky, or are better in concept than execution, but here it works, and works well.

Augustana College's production of subUrbia features one of the most (if not the most) layered and fascinating sets I've yet seen on a local stage, as Adam Parboosingh's scenic design manages to give us both a brick storefront - including parking spaces, cement parking bumps, scaffolding, a dumpster, and even a period-appropriate, mid-'90s pay phone - and the fully stocked interior of a convenience store at the same time. Consequently, Parboosingh's set rendered Friday's performance interesting well before the play even started, offering much to take in visually while we waited for the proverbial curtain to rise.

Luke Currie, Leslie Kane, Jaylen Marks, Macy Hernandez and Elyssa Lemay (top row), and Corbin Delgado and Bill Cahill (bottom row) in The Arsonists; photo by Long NguyenDirector Jeffrey Coussens makes some beautiful choices regarding the positioning of his Greek chorus of public-safety officers in Augustana College's The Arsonists. At different points in the play, he places this group of seven - with the character of the Policeman leading six firefighters - huddled on the stairs to the set's attic, flanking both sides of the stage with the same legs crossed, and sitting along the front of the stage, watching the action. And their orderly placement, along with the chorus members' bright yellow uniforms, are a striking contrast to the escalating destruction that's taking place on stage.