When people are asked what they think of when thinking about Iowa, they mention the following in no particular order: corn, Grant Wood, corn, Field of Dreams, corn, Hawkeyes, corn, Bruce … um … Caitlyn Jenner, corn, pork, corn , and the final answer – Meredith Willson. A famous son from Mason City, Willson is best known for writing and composing the uniquely American musical-theatre classic The Music Man.


It is with no hesitation that I admit adoring Stephen Flaherty's and Lynn Ahrens' musical Seussical, for which Flaherty wrote the music and Ahren the lyrics, with both collaborating on the book. Though it seems a children's play, the lyrics, melodies, and harmonies are sophisticated and memorable, and knowing how much I like this piece - and remembering the Clinton Area Showboat Theatre's excellent Cats from earlier this summer - I couldn't set aside my expectations prior to Thursday's Showboat performance, certain I was in for a theatrical treat. Director Matthew Teague Miller did not disappoint.
I'm on record stating that I was "Les Mis-ed out" after seeing three local productions of Les Misérables, and facing a fourth, over a year-and-a-half span. Yet after attending the Circa '21 Dinner Playhouse's version on Friday, my love for the material is renewed, as director Jerry Jay Cranford's staging adds intimacy while still possessing the grandeur of composers Alain Boublil's and Claude-Michel Schönberg's musical masterpiece.






