INSIDE LLEWYN DAVIS
There are some Coen-brothers movies - Fargo and O Brother, Where Art Thou? and True Grit come immediately to mind - that, because they exude such palpable filmmaking energy and are so spectacularly quotable, I wanted to talk about immediately after first seeing them. Then there are the rarer Coen-brothers movies, among them The Hudsucker Proxy and Intolerable Cruelty and Burn After Reading, that I didn't feel much like talking about afterward, mostly because I didn't enjoy them much on a first go-round. (Though I've consequently become a big fan of Joel's and Ethan's Hudsucker and Burn, in the case of Intolerable Cruelty, second and third go-rounds did nothing to improve matters.)
And then there are Coen-brothers movies such as the new Inside Llewyn Davis, a work that is, I think, so good that I don't want to discuss it for fear of not coming close to doing it justice.
GRAVITY
G.I. JOE: RETALIATION
TROUBLE WITH THE CURVE
IN TIME
FRIENDS WITH BENEFITS
CARS 2
Before getting into what went wrong at last night's Academy Awards ceremony - and sadly, quite a bit went wrong - let's begin by addressing the one portion of the telecast that, for maybe the first time in Oscar history, went magically right.
TRUE GRIT
THE SOCIAL NETWORK






