Rosario Dawson and Chris Rock in Top FiveTOP FIVE

Chris Rock is on-record as being a fan of Woody Allen movies and Richard Linklater's Before Sunrise/Sunset/Midnight trilogy, and the comedian's funny and thoughtful Top Five - Rock's first film as a writer/director since 2007's I Think I Love My Wife - is like a 100-minute blend of those influences. Then again, Allen, and certainly Linklater, would be much less likely to cap a scene with the image of a naked man getting a Tabasco-soaked tampon shoved up his ass.

When the Game Stands TallWHEN THE GAME STANDS TALL

Inspirational sports dramas, particularly inspirational high-school-sports dramas, can boast many virtues, and even the crummier ones can be a lot of fun. But one thing they're not generally known for is surprise, which is why it's all the more flabbergasting that When the Game Stands Tall has such a doozy of one at its center: the leading performance, and maybe the finest one yet, by Jim Caviezel. Director Thomas Carter's football saga is actually pretty terrific for a number of reasons. Yet despite working within a formula, and with the type of role, in which beats and arcs so often feel preordained, Caviezel provides one happy surprise after another, principally - and misleadingly - by appearing to do next to nothing at all.

Ansel Elgort and Shailene Woodley in The Fault in Our StarsTHE FAULT IN OUR STARS

The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley's cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she's about to relate, "This is the truth." And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.

Colin Firth and Geoffrey Rush in The King's SpeechTHE KING'S SPEECH

A tony odd-couple comedy in the guise of a historical prestige pic, The King's Speech boasts a pair of exceptional performances by Colin Firth and Geoffrey Rush, and is a terrific amount of fun. But am I alone in thinking that its central storyline is the least interesting thing about it?

2004 in Movies

Was I feeling especially sensitive in 2004, or were the year's most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me - the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman's Tim and Lucy Davis' Dawn on The Office Special.