Dwayne Johnson in G.I. Joe: RetaliationG.I. JOE: RETALIATION

If you handed a box of crayons to a group of eight-year-olds with action figures, they'd probably come up with a more entertaining storyline for G.I. Joe: Retaliation than the one we're stuck with, which is your standard blockbuster nonsense about a megalomaniac's plan for world dominion and the crack team of well-armed, quip-ready hotshots attempting to thwart him. In a welcome surprise, though, director Jon M. Chu's follow-up to 2009's G.I. Joe: Rise of the Cobra is, unlike its forebear, quite a bit of zippy, throwaway fun, a fast-moving and happily unpretentious diversion with jokes, and good ones, obviously written specifically for viewers well over the age of eight.

Selena Gomez, Rachel Korine, Vanessa Hudgens, and Ashley Benson in Spring BreakersSPRING BREAKERS

At the screening of Spring Breakers that I attended, I counted eight viewers who walked out of the movie, and stayed out, well before the end credits rolled. In all honesty, I'm amazed the tally wasn't higher than that. The movie being touted in print and in trailers promises a rowdy, randy romp in the sun with built-in audience-grabbers: Disney princesses acting nasty! James Franco with cornrows and grillz! But the movie that writer/director Harmony Korine has actually made - despite, indeed, its also being a rowdy, randy romp in the sun - bears so little relation to its cheeky, borderline-innocuous advertising campaign that patrons can be easily forgiven for feeling badly misled and deciding to bolt. It would be like going to see Dumbo and instead getting Gus Van Sant's Elephant.

District 9DISTRICT 9

Director Neill Blomkamp's District 9 is a science-fiction/horror/action flick that finds a race of malnourished, understandably irate alien creatures being forcibly detained in a Johannesburg internment camp. It's also, if you can stomach the frequent bursts of bloodshed and gooey splatter, an almost insanely good time, an unapologetic "B" movie elevated to "A" status through wizardly filmmaking, macabre humor, thematic cleverness, and some of the most inventive CGI work in years.

CoralineCORALINE

Employing extraordinarily supple, nearly tactile stop-motion animation and 3D effects, the children's film Coraline is filled with visual magic, and just about corners the market on unsettling imagery. A grinning pair of parental doppelgängers, with buttons sewn into their eye sockets, serve a dinner composed of mango milkshakes and chocolate beetles. Two morbidly obese British dowagers unzip their skins and emerge as lithe trapeze artists. A feral alley cat talks, and a theatre full of mutts attends a vaudeville, and it's all strange and clever and tantalizingly designed. Is it ungrateful, if not downright senseless, to admit that I could hardly wait for this movie to end?

In the minutes following the announcement of this year's Academy Awards nominations, media outlets were abuzz about the downbeat nature of the major contenders, and it was widely predicted that this year's Oscar telecast - which aired on Sunday, March 5 - would be the lowest-rated one in ages.