J. Adam Lounsberry, Tracy Pelzer-Timm, Jenny Winn, and Nathan Bates in Guys & DollsWith its whopping cast size and an equally daunting song list, Guys & Dolls doesn't seem like the best choice for a rookie director. But that didn't stop local actor Jason Platt from taking the helm of Quad City Music Guild's first summer offering, and making a darned good run of it. To be sure, the Thursday-night preview show either needed a few major cuts to shave off at least 20 minutes of the two-hours-and-50-minute (including intermission) run time, or a quicker musical pace set by music director Charles DCamp. However, the lead vocal performances were phenomenal, the female dance numbers were great fun to watch, and the set design and high-quality costumes effectively represented New York City, circa 1940.

Adam Overberg, Chris White, John VanDeWoestyne, Greg Bouljon, and Mary Bouljon in Around the World in 80 DaysIn the back of any Richmond Hill Barn Theatre program, you'll find a chronological listing of which shows have been produced at the theatre over its past 40 seasons. And while this catalog of titles is nothing if not varied, the assorted comedies, dramas, thrillers, and such do share a common link: Not one of these plays is one you'd feel compelled to attend with young kids in tow. (The Barn did house the holiday comedy The Best Christmas Pageant Ever in 2007, but that was a bonus offering added to the venue's annual six-show lineup and isn't mentioned in the program's inventory.)

Michael Schmidt, Emily Baker, and Eric Reyes in SeussicalOn Thursday night, I attended Quad City Music Guild's preview performance of Seussical, and if you include St. Ambrose University's 2008 production of the one-act Seussical Jr. - and I most certainly do - it was the third time I'd seen this show in as many years. (Eldridge's Countryside Community Theatre produced its version in the summer of 2007.) If theatres would only oblige, I'm reasonably sure I could see it, and without any complaint, every year for the rest of my life.