18 Jul 2015

Monog-Amy: "Trainwreck" and "Ant-Man"

By Mike Schulz

Amy Schumer and Bill Hader in TrainwreckTRAINWRECK

Longtime admirers of Comedy Central's Inside Amy Schumer could easily be troubled by director Judd Apatow's Trainwreck, considering that by its finale, the wickedly smart, subversive, hysterical Schumer has morphed into a pretty standard rom-com heroine. (The transformation may be particularly dispiriting knowing that Schumer wrote the script.) As for me, I came to the party late, not having seen the star's sketch-series output until a few months ago, so I'm still living happily in the Amy Schumer afterglow, and was grateful for the oftentimes very funny Trainwreck at least being better than standard Hollywood rom-coms. Schumer's more die-hard fans may well bristle, but hey - I barely know the woman.

19 Oct 2014

Tanks. A Lot.: "Fury"

By Mike Schulz

Brad Pitt in FuryFURY

Granted, I haven't seen Birdman yet, but it's hard to imagine any movie this year featuring a more kick-ass title character than the one in writer/director David Ayer's Fury. A battered but still indomitable Sherman tank plowing through Nazi Germany at the tail end of World War II - its name imprinted, twice, on the tank's cannon - Fury is both an amazing destructive force and a desperately needed safe haven for its five-man platoon. Our heroic tank also boasts more personality than any human on-screen, but in the case of this particular film, that's relatively easy to forgive.

14 Jan 2013

The Needle in the Haystack: "Zero Dark Thirty," "Gangster Squad," "A Haunted House," and "Hitchcock"

By Mike Schulz

Jessica Chastain in Zero Dark ThirtyZERO DARK THIRTY

As an orchestrator of cinematic suspense, Kathryn Bigelow might currently be without peer in American movies. The sequences of Jeremy Renner dismantling explosives in the director's Oscar-winning The Hurt Locker were miniature masterpieces of sustained excitement; despite our knowing, through much of the film, that it was too early for Renner's Sergeant William James to be killed off, each masterfully shot and edited act of bomb disposal vibrated with legitimate threat. In Zero Dark Thirty - Bigelow's and screenwriter Mark Boal's fictionalized docu-drama about the decade-long search for Osama bin Laden - nearly every scene feels like a ticking time bomb. There is, of course, never any doubt about the narrative's outcome, yet Bigelow's gifts for composition and pacing ensure that you still watch the picture with rapt attention and dread. And blessedly, she's also a spectacular entertainer. The movie is tough-minded and sometimes tough to watch, but even when Bigelow is fraying your nerves, she's tickling your senses.

23 Sep 2012

"Stee-e-e-erike!": "Trouble with the Curve," "End of Watch," and "Beasts of the Southern Wild"

By Mike Schulz

Amy Adams and Clint Eastwood in Trouble with the CurveTROUBLE WITH THE CURVE

The latest movie to star Clint Eastwood, marking the icon's first on-screen appearance since 2008's Gran Torino, is director Robert Lorenz's baseball drama Trouble with the Curve. That curve, by the way, is the least of this film's troubles.

06 Nov 2011

Haul on Wheels: "Tower Heist" and "A Very Harold & Kumar Christmas"

By Mike Schulz

Matthew Broderick, Casey Affleck, Ben Stiller, Eddie Murphy, and Michael Pena in Tower HeistTOWER HEIST

A lot of people make a lot of fun of director Brett Ratner, partly because his résumé - which includes not one, not two, but three Rush Hour movies - makes it so darned easy to.

20 Mar 2011

Brainy Acts: "Limitless," "The Lincoln Lawyer," and "Paul"

By Mike Schulz

Bradley Cooper in LimitlessLIMITLESS and THE LINCOLN LAWYER

At some point during my double-feature of Limitless and The Lincoln Lawyer, I was reminded, as I frequently am, that we filmgoers don't really need more great movies from Hollywood. We just need more good movies - smart, strong, satisfying releases that only want to entertain, but manage to do so without attempting to overwhelm you, or demanding that you first check your intelligence at the auditorium door.

12 Apr 2009

Maul Cop: "Observe & Report" and "Hannah Montana: The Movie"

By Mike Schulz

Anna Faris and Seth Rogen in Observe & Report

OBSERVE & REPORT

It's been a couple of days, and I'm still not sure what to make of writer/director Jody Hill's unexpectedly disturbing broad comedy Observe & Report, in which bipolar security guard Ronnie Barnhardt (Seth Rogen) attempts to apprehend a shopping-mall flasher and win over the skank of his dreams (Anna Faris).

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