Charlize Theron in Snow White & the HuntsmanSNOW WHITE & THE HUNTSMAN

The first words heard in Snow White & the Huntsman are "Once upon a time ... ," and for the next 125 minutes, the movie unfurls like a malicious, exhilarating fairytale for adults - or a bedtime story for really, really naughty kids. In an age when most screen adaptations of familiar childhood stories quickly descend into camp - either intentionally (Mirror Mirror) or unintentionally (Red Riding Hood) - the intelligence and violence and emotional hunger of debuting director Rupert Sanders' Snow White saga feel utterly welcome, and even somewhat revolutionary. By the film's finale (and I presume this isn't a spoiler), good has triumphed and evil has been vanquished, but the weight of the characters' horrific experiences hasn't been forgotten; it's clear from their serene yet exhausted expressions that while Snow White and her kingdom's subjects get their Happily Ever After, they'll more likely be living Happily, Hesitantly, Ever After.

Julia Roberts and Lilly Collins in Mirror MirrorMIRROR MIRROR

Mirror Mirror is a slightly modernized, family-comedy version of the Snow White fairy tale, and offhand, I can think of few directors less suited to the material than this film's Tarsem Singh, the music-video veteran whose big-screen credits include those wildly baroque (and decidedly adult) spectacles The Cell and Immortals. Yet every once in a while, when a director is spectacularly wrong for a project, the results can be much more interesting than if he were right for it, and that certainly seems the case here; this aimless, pointless little trifle is mostly a drag, but I can only imagine how deadening it might've been without Singh at the helm.