The opening shot of writer/director Sofia Coppola’s meticulously sumptuous The Beguiled shows a young girl carrying a basket and singing without a care in the world – her steps providing the tune’s rhythm – in a tunnel of trees. It’s sunny out, but the converging crowns mean she’s walking in the dark wood. When she happens upon an injured Union soldier (Colin Farrell) while picking mushrooms, it’s impossible to avoid a single thought: Big Bad Wolf.
The girl helps the man back to her secluded Virginia boarding school for girls – which just happens to have seven female residents. They’re not dwarves, but Corporal John McBurney (once his wounded leg is mostly healed) does help with some groundskeeping. So he’s also Snow White.

Friday, January 16, 10:05 a.m.-ish: My first and final quadruple feature of 2015 (yeah, right) begins with the Michael Mann thriller Blackhat, which opens with the camera racing within a computer module and deeper and deeper into the internal workings of binary code, like a burrowing reverse of Robert Zemeckis' introductory shot in Contact. At its climax, we discover that we've been watching the process by which a faraway cyber-terrorist sets off an explosion at a Chinese nuclear facility, and it's a juicy, unsettling prelude - so good, and so promising, that it probably takes longer than it should to realize the movie is goofy as hell.
NIGHTCRAWLER
JUSTIN BIEBER: NEVER SAY NEVER
RABBIT HOLE
NINE
THE GOLDEN COMPASS
DAVE CHAPPELLE'S BLOCK PARTY






