Genesius Guild's Richard III is not what I expected. I sat down for Sunday night's Lincoln Park performance anticipating a well-done, respectfully somber production - something along the lines of a group oration with limited movement. What I saw instead was a dynamic show filled with remarkable performances and clever staging, and delivered with proper respect for the material.

 

I have a confession: Since discovering my passion for the theatre, I've intentionally avoided the works of Anton Chekov. So many of my theatre friends consider Chekov to be the pinnacle of playwrights, placing him even higher than Shakespeare, yet fearing that I'd be excommunicated should I not like his works, I stayed away from them altogether. But now, after seeing the opening-night performance of Augustana College's The Seagull, I must form and share my opinion. So here it is: It turns out I like Chekov. A lot.

 

At heart, the 1990 tragicomedy The Big Funk is less a theatrical production than a wrestling match, one between its playwright, John Patrick Shanley, and ... John Patrick Shanley.