Jeff De Leon and Stephanie Burrough in Hate MailThey don't touch, they don't come within five feet of each other, and with one notable exception, they don't share a moment of eye contact. But in the Riverbend Theatre Collective's current production of Hate Mail, Jeff De Leon and Stephanie Burrough exude such combustible comic spark that you wouldn't necessarily want them to interact directly; the Village Theatre might damn well go up in flames.

Dana Joel Nicholson and Allison Collins-Elfline in the Riverbend Theatre Collective's The Last Five YearsJason Robert Brown's The Last Five Years is perhaps the best-known, most widely adored American musical that, in all likelihood, you've never heard of. Unless, that is, you're well-versed in modern musical theatre, in which case Brown's two-character, mostly dialogue-free offering probably isn't familiar so much as borderline-legendary.

Jessica Benson, Sarah Potts, Molly Todd, Kate Heiman, and Ryan Mosher-Ohr in Five Women Wearing the Same DressFive Women Wearing the Same Dress, the Alan Ball comedy that opens the Riverbend Theatre Collective's 2009 season, takes place during a wedding reception, and the production is kind of like a wedding reception - or at least, the reception for a bride and groom you don't know all that well. It might begin awkwardly, but after a few drinks, dances, and interesting encounters with people you otherwise wouldn't have met, you discover that you're having an unexpectedly fantastic time, and when it's over, you may realize that you're not quite ready to leave.

"Everybody's like, 'What happened?'"

That's Chris Jansen, artistic director of New Ground Theatre, recalling a common comment received in the months after June's New Ground production of Living Here at Davenport's Nighswander Theatre.

It turns out that something rather monumental has happened with New Ground, as Jansen and her organization have rented the Village of East Davenport's Turner Hall, and are in the process of having a number of local theatrical groups join them there. But you can certainly understand the concern of Jansen's audiences, as one of New Ground's most recent pieces appeared to be almost frighteningly prophetic.