Derrick Bertram, Joseph Brune, Kate Struble (center) and ensemble members in SeussicalIt is with no hesitation that I admit adoring Stephen Flaherty's and Lynn Ahrens' musical Seussical, for which Flaherty wrote the music and Ahren the lyrics, with both collaborating on the book. Though it seems a children's play, the lyrics, melodies, and harmonies are sophisticated and memorable, and knowing how much I like this piece - and remembering the Clinton Area Showboat Theatre's excellent Cats from earlier this summer - I couldn't set aside my expectations prior to Thursday's Showboat performance, certain I was in for a theatrical treat. Director Matthew Teague Miller did not disappoint.

Jamie Em Behncke and Susan Perrin-Sallak in And They Dance Real Slow in JacksonA day after seeing it, I still can't decide whether I like playwright Jim Leonard Jr.'s And They Dance Real Slow in Jackson, but I do know that I appreciate director Patti Flaherty's efforts in staging this nonlinear tale for New Ground Theatre. During Friday's performance, I struggled to follow the action, as Leonard's script confusingly jumps back and forth in time. Thankfully, however, Flaherty's directorial work helps create some clarity to the "when" with which we're dealing.

Ray Gabica and Jessica Flood in Who's Afraid of Virginia Woolf?

[Editor's note: On February 3, Harrison Hilltop producers Tristan Tapscott and Chris Walljasper announced the cancellation of the remaining performances for Who's Afraid of Virginia Woolf.]

 

As much as I like theatre, three hours in a chair can be a bit too much for me. The Harrison Hilltop Theatre's recent production of Long Day's Journey Into Night felt long, but mainly because the show's script is populated with lengthy, repetitious monologues. Its current production, Who's Afraid of Virginia Woolf?, is roughly the same length, but doesn't have the same plodding feeling. Perhaps it's because almost every line in the play seems weighty yet unpretentious, with an overall pacing quick enough to both keep and force your attention, lest you miss a sharp-tongued phrase.

Michael Schmidt, Emily Baker, and Eric Reyes in SeussicalOn Thursday night, I attended Quad City Music Guild's preview performance of Seussical, and if you include St. Ambrose University's 2008 production of the one-act Seussical Jr. - and I most certainly do - it was the third time I'd seen this show in as many years. (Eldridge's Countryside Community Theatre produced its version in the summer of 2007.) If theatres would only oblige, I'm reasonably sure I could see it, and without any complaint, every year for the rest of my life.