Cody E. Johnson, Stacy Phipps, and Tim Stompanato in Dakota Jones & the Search for AtlantisEvery year, St. Ambrose University's theatre department produces four mainstage shows over the nine months that school is in session. It's somewhat surprising, then, that given the myriad authors to choose from, the university opted to reserve half of the slots in its 2011-12 season for works by a single playwright.

Yet what's more surprising is that the author in question isn't one of the usual theatrical suspects - Shakespeare or Williams or O'Neill. Rather, it's St. Ambrose student Aaron Randolph III, a 32-year-old pursuing additional degrees after graduating in 2002 from the school's music department. His family musical Dakota Jones & the Search for Atlantis will be staged in the university's Galvin Fine Arts Center December 3 and 4, and his comedy The Plagiarists runs February 24 through 26.

(clockwise from left) Mike Millar, Valeree Pieper, Erin Lounsberry, James Turilli, and Mark McGinn in The Drowsy ChaperoneI had an utterly fantastic time at Quad City Music Guild's preview performance of The Drowsy Chaperone, director Bob Williams' high-spirited and hysterical presentation of the long-running Broadway hit. Yet I'm embarrassed to say that I may have inadvertently missed 10 of its most entertaining minutes, because I made what was, in retrospect, a terrible mistake: I left the auditorium during intermission.

Ben Hopkins, Hanlon Smith-Dorsey, Daniel Rairdin-Hale, Yosh Hayashi, Andrew Harvey, and Jessica Denney in A Cadaver ChristmasLast month, the locally produced zombie comedy A Cadaver Christmas was named Best Professional Feature at the Cedar Rapids Independent Film Festival, and given its title, you'd rightly expect the movie to have its tongue stuck firmly in its cheek. Most likely, after being gnawed off and spit out by the groaning, lumbering undead.

Kimberly Furness[Author's note: The following was written for TheCurtainbox.com, the Web site for our area's Curtainbox Theatre Company, of which I've been a proud member for nearly a year.]

 

Recently, Curtainbox Theatre Company founder Kim Furness and I sat down over a glass of wine - all right, maybe a couple of glasses - to celebrate her company's 10-year anniversary. She had recently taken over the directing position for the Curtainbox's latest production, Speed-the-Plow (in the wake of original helmer Philip W. McKinley's recruitment as new director of Broadway's Spider-Man: Turn Off the Dark), and during our conversation, was happy to share her thoughts on the company's history. (The David Mamet comedy Speed-the-Plow - featuring Erin Churchill, Dan Hernandez, and myself - runs at the Village of East Davenport's Village Theatre from April 10 through 23, with preview performances April 8 & 9.)

William Campbell. Photo by Renee Meyer-Ernst.

William Campbell can't recall why he became a composer, but he does remember his piano lessons as a youth in Tucson, Arizona.

In an interview last week, Campbell recounted the questions he asked of his Julliard-trained teacher: "'Why didn't Beethoven do this?' And I'd play a little something. And he'd be like, 'Well, that's not what this piece is. Did you learn this passage?' And I'd play the passage, and I'd say, 'Yes, but why didn't he do this?' ... I'd ask about motives and things."

That instructor was good at many things, Campbell said - "He instilled in me a sense of how to emote on the instrument ... , technique, and also to try your best no matter what" - but he didn't do much to encourage his pupil's creativity. The student brought in a piece that he'd composed, and his mentor played a Rachmaninoff prelude as a response.

The 41-year-old Campbell said that he never presented another original composition to that teacher, but three decades later, he is certainly getting more affirmation. An associate professor of music theory and composition at St. Ambrose University, he's releasing his first solo-piano album, Piano Songs - an event that will be marked by a March 26 concert at the Galvin Fine Arts Center. On April 28, he'll debut his Piano Quintet with the Maia String Quartet at St. Paul Lutheran Church in Davenport. And in its 2011-12 season, the Quad City Symphony Orchestra will perform Campbell's Coyote Dances in one of its Masterworks concerts.

Anthony Stratton, Nick Jensen, Kayla Jackson, Andrew Bradford, Michael Kline, and Keaton Connell in ColumbinusFor his first directorial effort at St. Ambrose University, Daniel Rairdin-Hale in April staged the ancient-Greek tragedy Oedipus Rex. This month, however, finds the school's assistant professor of theatre tackling a tragedy that hits much closer to home.

"I remember where I was when Columbine happened," says Rairdin-Hale, referring, of course, to the April 1999 massacre at Colorado's Columbine High School. "It was right between my junior and senior year [at Pleasant Valley High School]. So I got to experience how everything changed. My first three years of high school were one way, and then this happened, and in senior year, everything was different. You couldn't have backpacks, doors were locked, you couldn't leave the building, we had bomb drills ... . It was very strange to be there during that transition.

"I mean, I'm sure there are things that high schools do now," he continues, "where students just assume, 'This is how it's always been.' You know, cameras, metal detectors - whatever. But there was a time before that."

Michael KennedySt. Ambrose University instructor Michael Kennedy, who has directed more than 75 collegiate theatre productions over the past 40 years, remembers the first - and, to his recollection, only - public complaint lodged against one of his shows, which appeared in the Diocese of Davenport's weekly newspaper The Catholic Messenger.

Into the WoodsInto the Woods (August 10 - 12, 2007): The Green Room's debut production was Stephen Sondheim's and James Lapine's fairy-tale musical, and many of its cast members had previously worked with director Derek Bertelsen (also the venue's Executive Director) and music director Tyson Danner (the Artistic Director) in the pair's previous, fund-raising performances for the Children's Therapy Center of the Quad Cities: 2005's Ragtime and 2006's The Secret Garden. Both vividly remember opening night.

 

Derek: It smelled like fresh paint.

Tyson: It did. We painted that morning.

Daniel D.P. Sheridan In describing Davenport Parks & Recreation's recent choice of Daniel D.P. Sheridan for its performing-arts-coordinator position, the organization's senior recreation manager, Theresa Hauman, says, "We want to become a vital performing-arts center, with the main hub of that being the Junior Theatre program, and with his school training, the experiences that he's had nationwide, and the fact that he is from the community and a product of Junior Theatre ... he really hit it out of the ballpark."

"Much Ado About Nothing" In the realm of educational theatre, the audience's enjoyment should always be secondary to what the students take from their theatrical experiences. So I certainly hope that 2006's productions were meaningful for the students in Augustana College's, St. Ambrose University's, and Black Hawk College's theatre programs, because this particular audience member had a great time at their shows.

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