GREEN LANTERN

I won't bore you by trying, but I'm reasonably sure I could devote a few thousand words to what I didn't like about the (presumed) franchise-starter Green Lantern, an effects-heavy superhero adventure that might mark a new first for the on-screen-comic-book canon: Director Martin Campbell's movie is dully sardonic and dully sincere. I only need two words, however, to pinpoint everything I loved about the film: Peter Sarsgaard.

In the realm of educational theatre, the audience's enjoyment should always be secondary to what the students take from their theatrical experiences. So I certainly hope that 2006's productions were meaningful for the students in Augustana College's, St. Ambrose University's, and Black Hawk College's theatre programs, because this particular audience member had a great time at their shows.

SHAFT and FANTASIA 2000

For about a month now, when friends have asked me what new movies they should see, I've come dangerously close to drawing a blank. I'd mention Gladiator (which, naturally, most of them had already seen) and Small Time Crooks (which, sadly, most were uninterested in). Then I'd generally guide them in a different direction altogether, like Paul Thomas Anderson's magnificent Magnolia, which recently returned to Moline's discount cineplex. Or video and DVD, with the recent release of two extraordinary documentaries: Chris Smith's hilarious and touching American Movie, probably the best film of 1999 that wasn't seen locally, and Errol Morris' disturbing but brilliant Mr. Death: The Rise & Fall of Fred A. Leuchter, Jr.