In 2007, when Los Angeles-based actor/playwright Tom Dugan was first booked as a Quad City Arts Visiting Artist, it was as the star of his self-written, one-character performance piece Robert E. Lee: Shades of Gray. When he returned as a Visiting Artist in 2008, it was as the author and director of another one-man show, Frederick Douglass: In the Shadow of Slavery.
Now, with Broadway director Jenny Sullivan at the helm, Dugan returns for his third stint with Quad City Arts in Simon Wiesenthal: Nazi Hunter, another solo vehicle that the busy stage and film actor both wrote and stars in. And, it should go without saying, Dugan recognizes that audiences hesitant about attending productions on the Civil War and slavery may be even more leery of one concerning the Holocaust.
"When anyone is preparing to go see this," says Dugan during a recent phone interview, "I'm sure there's this feeling like, 'Aw, man ... do I want to sit through this?' And I'll tell you, when I sat down to write the play, I thought, 'Aw, man ... do I wanna write this play?'"
Last winter, in conjunction with his impending Visiting Artist residency with Quad City Arts, I had the opportunity to interview Los Angeles-based actor/director/playwright Tom Dugan. He was heading to our area to perform Robert E. Lee: Shades of Gray - a self-written solo production in which he portrayed the Confederate general under the direction of Mel Johnson Jr. - and during our phone conversation, Dugan recalled the process by which much of the play was written: In the back of a van, surrounded by books, while touring On Golden Pond with Jack Klugman.
When actor/playwright Tom Dugan premiered his one-man show Robert E. Lee: Shades of Gray in Richmond, Virginia, in 2004, the packed audience at the Carpenter Center for the Performing Arts gave the production a standing ovation. Crowds were similarly enthusiastic after subsequent performances in Tennessee, West Virginia, and Georgia, and when Dugan performed Shades of Gray in Lexington mere days before his Quad Cities arrival, the show was sold-out long in advance of its January 11 opening.
