LES MISÉRABLES
Director Tom Hooper's take on the über-beloved musical Les Misérables is, in numerous regards, a maddeningly weak stage-to-screen transfer. Scenes have been bluntly presented with no discernible invention or style. The incessant employment of closeups creates stagnancy in sequences and numbers that beg for breathing room. The movie's two most prominent actors are cast in roles for which they can't nearly do vocal justice. And, so help me, I ravenously gobbled up every last, unsubtle, frequently disappointing morsel of the thing.

Before getting into what went wrong at last night's Academy Awards ceremony - and sadly, quite a bit went wrong - let's begin by addressing the one portion of the telecast that, for maybe the first time in Oscar history, went magically right.
THE KING'S SPEECH






