GodzillaGODZILLA

To get the inarguable out of the way, director Gareth Edwards' new take on Godzilla is an incalculably stronger piece of work than Roland Emmerich's woebegone 1998 version. Its visual effects are superb, and occasionally stunning. Its supporting cast boasts some obscenely gifted actors. It has been crafted with professionalism, confidence, seriousness of purpose, and obvious respect for its cinematic forebears. And taken overall, I found the experience so deathly boring that in the midst of its incredibly loud, debris-strewn action finale, I actually fell asleep. On two separate occasions.

Paul Giamatti and Alex Shaffer in Win WinWIN WIN

When I say that writer/director Tom McCarthy's Win Win could easily serve as the inspiration for a long-running TV series, I don't mean it in any way insultingly, partly because our current small-screen options are, in general, vastly superior to our big-screen ones. Mostly, though, it's because this serious-minded comedy is so teeming with nuanced, empathetic characters and complicated yet wholly plausible situations and circumstances that you want to luxuriate in Win Win's universe for far longer than the movie's too-brief 100 minutes - like, for an hour a week over several seasons.

Colin Firth and Geoffrey Rush in The King's SpeechTHE KING'S SPEECH

A tony odd-couple comedy in the guise of a historical prestige pic, The King's Speech boasts a pair of exceptional performances by Colin Firth and Geoffrey Rush, and is a terrific amount of fun. But am I alone in thinking that its central storyline is the least interesting thing about it?

Naomi Watts and Sean Penn in Fair GameFAIR GAME

Presuming that it might not open locally, I caught director Doug Liman's Fair Game - in which Naomi Watts plays outed CIA operative Valerie Plame, and Sean Penn plays Plame's husband, former ambassador Joe Wilson - in Chicagoland on Thanksgiving night. I thought the movie was intelligent and intensely well acted, but still didn't feel much toward it, and with so many of the film's characters arguing over events that, by 2010, have become old (if still infuriating) news, my eyelids grew droopy during a few scenes too many.

Morgan Lily and John Cusack in 20122012

After 2012 - the movie, not the year - it will be exceedingly difficult for Roland Emmerich to deliver yet another of his expensive, apocalyptic disaster cartoons. So, you know, I guess we should be grateful for small favors.

Julia Roberts and Clive Owen in Duplicity

DUPLICITY

Starting with the film's enticing prelude, which finds Julia Roberts and Clive Owen engaging in the first of several argumentative flirtations in exotic locales, I felt that Duplicity was an intensely sharp, clever, enjoyable movie. It wasn't until its very last shot, though, that I felt it was also a great one.