Matthew Wiggin, Tom Taylor, Maeve Martin, Tommy McDowell, Marc Ciemiewicz, and Janos Horvath in Alexander & the Terrible, Horrible, No Good, Very Bad DayNot being a child myself, I can only imagine the delight that kids feel at seeing a much-loved book played out, on stage, before their eyes - which is what's currently happening in the Circa '21 Dinner Playhouse's production of Alexander & the Terrible, Horrible, No Good, Very Bad Day. While I've personally never read author Judith Viorst's work, I do know it's a popular story among younger readers, and those in the audience during Saturday morning's performance certainly seemed to like what they were seeing. (They were also at least familiar enough with the source material to be able to shout out the show's title without a hitch... though I'd bet many could recite much more than that part of the book by heart.)

Laura Miller, Courtney Crouse, and Andrea Moore (center), and Laurie Sutton, Liz J. Millea, and Maeve Martin in Happy Days: A New MusicalIf the goal of Happy Days: A New Musical - making its Midwestern debut at the Circa '21 Dinner Playhouse - is to have the feel of the 1970s TV series, then playwright (and series creator) Garry Marshall and songwriter Paul Williams are working against each other. The book is reminiscent of the sitcom, with similar character dynamics and situations, but it comes across as a caricature of the TV show - purely wholesome, without the slight edge and hints of rebellion present in its televised incarnation. Williams' songs, meanwhile, don't suggest the series at all; it's as if the tunes were taken from some other 1950s-themed musical, and plopped into an episode of Happy Days without consideration for whether they fit the characters.