20 Apr 2009

Bridal Party: "Five Women Wearing the Same Dress," at the Village Theatre through April 25

By Mike Schulz

Jessica Benson, Sarah Potts, Molly Todd, Kate Heiman, and Ryan Mosher-Ohr in Five Women Wearing the Same DressFive Women Wearing the Same Dress, the Alan Ball comedy that opens the Riverbend Theatre Collective's 2009 season, takes place during a wedding reception, and the production is kind of like a wedding reception - or at least, the reception for a bride and groom you don't know all that well. It might begin awkwardly, but after a few drinks, dances, and interesting encounters with people you otherwise wouldn't have met, you discover that you're having an unexpectedly fantastic time, and when it's over, you may realize that you're not quite ready to leave.

30 Mar 2009

Mother Faker: "Cowbird," at the Village Theatre through April 5

By Mike Schulz

Pat and Patti Flaherty in CowbirdIn New Ground Theatre's current production of playwright Julie Marie Myatt's Cowbird, Patti Flaherty is a glorious wreck.

09 Mar 2009

Bard Optimal: "Much Ado About Nothing," at the Village Theatre through March 15

By Mike Schulz

Cait Bodenbender and Aaron E. Sullivan in Much Ado About NothingWith the current Much Ado About Nothing, I've now attended 10 presentations by the classical-theatre troupe the Prenzie Players, and perhaps fittingly, it's maybe the most sheerly Prenzie Prenzie production I've yet seen.

12 Dec 2007

Hall of Fudge: New Ground's Chris Jansen Plans to Make Turner Hall a Home for Emerging Theatre

By Mike Schulz

"Everybody's like, 'What happened?'"

That's Chris Jansen, artistic director of New Ground Theatre, recalling a common comment received in the months after June's New Ground production of Living Here at Davenport's Nighswander Theatre.

It turns out that something rather monumental has happened with New Ground, as Jansen and her organization have rented the Village of East Davenport's Turner Hall, and are in the process of having a number of local theatrical groups join them there. But you can certainly understand the concern of Jansen's audiences, as one of New Ground's most recent pieces appeared to be almost frighteningly prophetic.

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