Jeremy Irvine in War HorseWAR HORSE

A grandly scaled adventure about a boy who gets a horse, then loses the horse, then joins the British infantry to find the horse, War Horse is the sort of triumphant, lump-in-the-throat epic that director Steven Spielberg should be able to pull off in his sleep. Consequently, the highest compliment I can pay the movie is that its helmer, at all times, appears to be fully awake here. There's palpable filmmaking energy in nearly every shot, and several passages in this World War I family drama are so thrilling and painful and spectacularly well-choreographed that they rank among the finest in Spielberg's career.

Analisa Percuoco and Sonya Womack in The War of the WorldsI find it easy to like Scott Community College's production of The War of the Worlds, an adaptation of H.G. Wells' tale of alien invasion, presented here in the radio-drama style of Orson Welles' Mercury Theatre. The performance may not be the best you'll see in the Quad Cities, but the show features so much heart - such simple pleasure in performing - that it's refreshing to sit and watch the show's young men and women play on stage.

Orson Welles performs for the Mercury Theatre"Most of our students work jobs when they're not at school," says Scott Community College (SCC) theatre instructor Steve Flanigin. "So when you say, 'We're going to do a play - who'd be interested?', you have to see who's available before you decide what play you can do. Because if they have to go to a job when we normally rehearse - Tuesday, Wednesday, and Thursday, from three to five - then they can't do the show.

"I think that's one of the challenges of doing theatre at a community college that a lot of people don't realize," he continues. "What we do depends on who is here in the fall or the spring, and what their schedules are like. I mean, I'd love to do Hello, Dolly!, but not with four people."

Happily for Flanigin, he was able to secure roughly a dozen student participants for the school's latest production. And while that number wasn't large enough for a Hello, Dolly!, it was perfectly appropriate for the show that he and fellow SCC instructor John Turner did choose: a new adaptation of author H.G. Wells' alien-invasion classic War of the Worlds, running October 20 through 30.

Elle Fanning and Joel Courtney in Super 8SUPER 8

Though many of us might agree with the sentiment, saying that writer/director J.J. Abrams' Super 8 stumbles in its last half hour isn't entirely accurate. For one thing, "stumbles" implies a relatively minor disruption, and what happens to this Spielberg-influenced sci-fi thriller as it nears its climax is hardly minor; the movie, in its final 30 minutes, doesn't stumble so much as fly off a cliff, fall onto a bunch of land mines, and explode.

Fantastic Mr. FoxFANTASTIC MR. FOX

Film scholars widely agree that 1939 remains the strongest year ever for American movies. But I'm starting to think that, as the decades pass, 2009 might be seen as a comparable year for animated movies.