Originated in Italy in the 16th Century, the theatrical form commedia dell'arte traditionally finds a group of actors participating in a comedic scenario featuring slapstick conceits called mécanisme. And for his original commedia dell'arte presentation at St. Ambrose University, one fittingly titled Commedia Dell'arte, director Daniel Rairdin-Hale insists that he and his cast have come up with some mécanisme doozies.

The cast members in St. Ambrose University's production of Working offer a somewhat unexpected and altogether delightful sincerity in their portrayals of American workers in various trades. These young actors, after all, presumably don't have much, if any, career experience as full-time masons, receptionists, or prostitutes, among other professions. Yet they handle this musical as though possessing full knowledge of the experiences of the average worker, which, during Wednesday's dress rehearsal, helped me connect with the oftentimes funny, sometimes touching material.

Brandon Jess Ford, Dryden Meints, and Hanah Nardone in Boeing-BoeingEven if you entered the Timber Lake Playhouse's Boeing-Boeing unaware that author Marc Camoletti's play was a farcical comedy - its elbow-in-the-ribs title somehow not divulging that information - all it would take is one look at Nathan Dahlkemper's scenic design to know that some serious slapstick was bound to be in store.

the Footloose ensembleThe inherent danger in seeing any production of Footloose, whether on stage or screen, is that you risk having those maddeningly catchy pop tunes trapped in your brain for days. I'm therefore pleased to report that, less than 72 hours after attending the Timber Lake Playhouse's speedy and sprightly take on the musical, I no longer have "Let's Hear It for the Boy," "Holding Out for a Hero," and the rest playing in an endless mental loop. It's actually the performances by Karl Hamilton and Elizabeth Haley that I can't get out of my head.

Erica Stephan, Dreiden Thomas Meints, Judy Knudtson, Sharriese Hamilton, and Andrew Way in WorkingBased on the justly celebrated 1974 nonfiction by Studs Terkel, the musical Working is a two-act series of vignettes on the joys and frustrations of professional life, and the search for satisfaction in even the most mundane of careers. It's somewhat ironic, then, that in the Timber Lake Playhouse's current, wholly engaging, superbly performed production of the show, the most effective segment in it concerns a man who actually doesn't work for a living.