Davenport, Iowa (January 6, 2016) –. The Figge Art Museum will be hosting the first free family day of 2016 on Saturday, sponsored by the Quad-City Times.

Kick off the New Year with free admission all day and a variety of free planned ac...

Rock Island, Illinois – Preservation of wildlife and respect for our river’s ecosystem will be on display at MidCoast Gallery West during January and February. The Art Collective, twelve artists from the Quad City region, will present a gr...

(DAVENPORT - January 4, 2016) The work of Midwest regionalist artist Brad Bisbey will be displayed January 6-30 at the Bereskin Fine Art Gallery and Studio in Bucktown, Davenport. Bisbey, hailed as "the Grant Wood of our time," will present hi...

Human flight is inherently amazing. For people looking to satisfy their wonder, or to simply bask in astonishment at accomplishments in the history of aviation, there's no better place than the Udvar-Hazy Center in Chantilly, Virginia.

The museum includes representative aircraft from every U.S. military branch, with the exception of one ? the U.S. Coast Guard. The life-saving service famous for hoisting survivors at sea to its helicopters doesn't yet have one on display there, though that's about to change.

The companion facility to the Smithsonian National Air and Space Museum in Washington, the center includes two enormous hangars ? the Boeing Aviation Hangar and the James S. McDonnell Space Hangar ? where visitors can find thousands of aviation and space artifacts that tell fascinating stories of women and men taking to the skies and stars. Visitors stand awed before sights like the actual B-29 Enola Gay, the first aircraft to drop an atomic bomb, and the space shuttle Discovery, world record holder for most spaceflights.

Soon to join the ranks of these relics is the Coast Guard HH-52A Seaguard helicopter, tail number 1426. Like many of its soon-to-be museum counterparts, the 1426 was an aircraft piloted in the performance of famous feats. What makes it so special, like the service it represents, is the missions it performed saving peoples' lives. One particular mission performed by a 1426 crew stands out not only as one of the greatest for that airframe, but perhaps in Coast Guard aviation history.

On the morning of Nov. 1, 1979, then Lt. j.g. Chris Kilgore and Lt. J.C. Cobb, both pilots, along with Petty Officer 2nd Class Thomas Wynn, an aviation electrician's mate, rescued 22 survivors from the burning tanker Burmah Agate and freighter Mimosa after the two vessels collided near Galveston, Texas.

Burmah Agate was fully loaded with fuel, and the collision resulted in an explosion that ignited leaking oil. The tanker went down soon after the collision, while the burning Mimosa remained underway, slowly circling around a dropped anchor.

The 1426 crew was one of two helicopter crews from Air Station Houston to respond and hoist survivors from the ships. A memoir of the famous case titled "Just in Time," written by 1426 co-pilot Kilgore, details his firsthand account of what the rescuers faced that day.

He wrote of explosions, intense heat from the fire, turbulent air, taking on survivors until the helicopter exceeded its maximum allowable weight ? and dropping them off on a nearby oil platform before returning to rescue more.

"With the two survivors on board, we turned our attention to Mimosa," wrote Kilgore.  "The fire on that vessel was spreading from the forward area aft, toward the superstructure. The crew appeared to all be crowded onto the port bridge wing.  Over the next several minutes, we hoisted 10 crew members in three hoists. Although the fire danger was not as immediate, these were interesting hoists nonetheless. When the basket was lowered, the ship's crew were all clamoring to get into it, all grabbing for the basket at once. To make it more interesting, the ship was underway, but without command of the rudder it was doing a constant 360-degree turn. Because of weight and wind, we could not follow the ship around. The situation was further complicated by the masts, wires, antennae and other gear above the bridge, necessitating a high hoist."

The Coast Guard will be represented by the 1426 in perhaps the best possible location for reaching a national audience interested in aviation history, hosting more than 1.4 million visitors so far in 2015 alone. The helicopter is scheduled to become a permanent exhibit at the museum in the spring of 2016 - a highly-anticipated event for both the Coast Guard and the Smithsonian, which coincides with the centennial anniversary of Coast Guard aviation.

"The big driver for this happening is Coast Guard aviation's 100th anniversary coming up this spring," said Cdr. Michael Frawley, systems management chief for the office of aeronautical engineering at Coast Guard Headquarters. "This was the time to make this happen."

"The arrival of the 1426 and its subsequent display in the museum presents not only an opportunity to demonstrate the importance of Coast Guard aviation to American life, but to illustrate the role of the helicopter and what it can do for humanity in general," said Roger Connor, museum specialist and curator of the vertical flight collection.

HH-52s, the first amphibious helicopters, were last flown by the Coast Guard Sept. 12, 1989. The legendary helicopters' success made rotary-wing aircraft central to Coast Guard aviation missions during the airframe's 26 years of service. In all, Coast Guard HH-52A crews saved more than 15,000 lives.

The driving force behind placing one of these magnificent machines in the Smithsonian is a collection of dedicated Coast Guard aviators, many whose careers involved flying one. These dedicated people worked tirelessly behind the scenes over the past decade, giving generously their time and resources.

The Coast Guard Aviation Association (CGAA), known also as the Ancient Order of the Pterodactyl, is dedicated to preserving U.S. Coast Guard aviation history, as well as camaraderie among the former and current Coast Guard aviators who make up its majority. In 2005, then CGAA president, retired Capt. George Krietmeyer initiated the idea to locate, acquire and restore an HH-52A Seaguard helicopter for display in the Smithsonian. The resulting effort was later named "Project Phoenix" by retired Capt. Tom King ? a metaphor comparing the helicopter to the once beautiful bird rising from ashes and obtaining new life.

The project involved numerous CGAA volunteers and active-duty Coast Guard leaders who are quick to credit others for the project's success, including retired Rear Adm. Robert Johanson. Ask anyone and they'll tell you he's been the backbone of the initiative from its conception. Reluctant to accept recognition, Johanson has a sense of humor on par with his drive for making things happen.

"I'm just glad to know there's a Coast Guard helicopter going into the Smithsonian while I'm still on the right side of the grass," he joked.

Locating a structurally-sound Seaguard helicopter suitable for museum-quality restoration was the first necessary step in what would become a decade-long project.

The CGAA identified several candidates over the years, acquiring three HH-52s from the Aberdeen Proving Ground, a U.S. Army facility in Aberdeen, Maryland. The helicopters ultimately did not make the cut, though some of their parts were eventually used to restore the selected Phoenix.

The road to finding the ideal bird came to a few dead ends along the way, but that didn't stop Johanson and his fellow Pterodactyls, led by then CGAA president, retired Capt. Mont Smith, from persisting. Who needed roads? These were men used to flying. Overcoming various legal challenges that restricted funding and limited human resources for the project, the CGAA did the majority of the leg work while active duty Coast Guardsmen who were crucial to the project were primarily focused on day-to-day operations. At times, it seemed the service didn't have the time or manpower to see the project to its end. Still the Pterodactyls persisted, working patiently with changing Coast Guard leadership, forging ahead with ways to make it work.

Finally, in 2012, the Pterodactyls soared into promising skies as a museum-quality helicopter was identified at the North Valley Occupational Center in Van Nuys, California. The HH-52A Seaguard 1426 was donated by the Coast Guard and flown to the school in 1989. There, it served as a classroom aircraft where students learned and practiced aviation maintenance for 25 years. As a result, the helicopter was in good shape.

The Coast Guard couldn't just buy the helicopter back from the school ?  that would violate policy ? but Johanson and others worked with Bill Lucas, ethics attorney at Coast Guard Headquarters, and retired Capt. Norm Schweitzer at General Services Administration, to find a way.

Military services are allowed to trade assets or artifacts with other organizations after considering market value of the objects in question. If what the military wants to give in trade exceeds the value of what the military hopes to get in exchange, that object of lesser dollar value must be determined an historical artifact significant to the military, and the transaction must be approved at several levels.

It just so happened, the Coast Guard was retiring the last of its HU-25 Falcon jets, and the school agreed to trade one for its HH-52. The instructors agreed the HU-25 was a better teaching subject for students preparing for careers with airlines. The determination was made that the Coast Guard helicopter was in fact an historical artifact that would well-represent the Department of Homeland Security and Coast Guard's humanitarian missions.

Johanson worked with officials at Coast Guard Headquarters throughout the process to acquire the 1426 in trade for an HU-25 Falcon ? a process that began in late 2012 and culminated in 2014 upon approval by the Secretary of Homeland Security.  After working out specifics of the trade with the school, the helicopter was transported to the Aviation Logistics Center at Base Elizabeth City, North Carolina.  There, 1426 was restored to Smithsonian display standards by contractor Vector CSP under the supervision of CGAA restoration project managers, retired Captains Mont Smith and Ray Miller, and augmented by an HH-52A restoration team comprised of Coast Guard active duty and retired volunteers. Over the course of about nine months, team members supported restoration efforts ? repairing and restoring major airframe structures, primary mission equipment and original component identification markings, among many others tasks, to restore the Phoenix to its authentic appearance ? as if it were brand new in 1975. 

Though it took a decade, the people behind Project Phoenix could not have selected a better aircraft to symbolize Coast Guard aviation, nor people to get the job done. Their hard work and dedication will result in honor and preservation of the service's rich history, for the enjoyment of future and current Coast Guard aviators, and those who admire them.

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Rock Island, Illinois - Familiarity breeds inspiration for three members of The Art Collective who will be showing works at a MidCoast Gallery West group exhibit opening in January. The Art Collective, twelve artists from the Quad City region, will present a group show January and February at MidCoast Gallery West, 1629 2nd Avenue, Rock Island. "A River Runs Thru Us" will debut at an opening reception on January 8, from 6-9 pm and is free to the public.

"Living along the 'mighty Mississip' has influenced my life," shares Jay Stratton, wood sculptor and furniture maker. "I grew up playing in one of her tributaries, bicycling along her shoreline, and exploring the deep ravines carved out of the land as the water made its way to the river." His wood sculptures capture the flow of the water in a unique manner as the artist allows the natural wood forms to guide him through to the outcome of a piece. Stratton will be showing some of his highly-sought-after works in the Collective's show.

Another Collective artist shares the experience of being influenced by the Mississippi, but on a daily basis. Amy Nielsen, calligrapher and mixed media artist, has lived alongside the river for 17 years. "My life on the river always motivates me in surprising ways," Nielsen shares. "It is ever changing, always moving and teeming with life." She has created a signature piece for the show, featuring brush-written calligraphy which she says, "...is a study of that continuous motion and the diversity of the underwater dwellers that unite this extraordinary location along the shores of Illinois and Iowa." Nielsen will be showing her mixed media work featuring fish sculptures along with the signature piece during the show.

Although she grew up in central Iowa, Bonnie Grebner has lived on the bluff overlooking the Mississippi in Hampton for years and also feels the river's inspiration daily. A clay artist, Grebner took the idea of life on Mississippi into the future for her work. "The clay sculptures I created for this group show are purely from my imagination. I let my mind wander and think about what life might be like thousands of years from now in and around the Mississippi River. These 'mutated crustaceans, river bank inhabitants, and underwater creatures' I created are the result," she explained.

The Art Collective show will feature the work of 12 artists with media ranging from wood to calligraphy. In addition to D'Angelo, Moore and Halverson, the Collective includes Jay Stratton, Amy Nielsen, Bill Wohlford, Sheryl Lammers, Andi Naab, Bonnie Grebner, Lori Miller, Brent Langley and Judy O. Gray. For more information on the show and the gallery, contact Carolyn Krueger at carolynjkrueger@gmail.com.  For more information on The Art Collective, visit our Facebook page at The-Art-Collective or contact Lori Miller at lmfiberart@gmail.com.

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Stop into the Museum Store anytime before Christmas and save 25% on all Holiday items!
Find Christmas holiday decor and items for family or friends and make the season sparkle. All holiday items in the store is 25% off! ?We have unique gifts for all ages from plush toys, books, candy, games, ornaments and decor items. Great gifts for that hard-to-buy-for family member or friend!
Holiday Hours and Closings
Thursday, December 17 closed from 2 - 5PM for the Polar Express Pajama Party
Friday, December 18 closed all day for the Polar Express Pajama Party
Saturday, December 19 closed from 2 - 5PM for the Polar Express Pajama Party
Sunday, December 20 closed all day for the Polar Express Pajama Party
Thursday, December 24 - Christmas Eve closed from 2 - 5PM
Friday, December 25 - Christmas Day closed all day
Putnam Museum & Science Center  •  1717 W. 12th Street Davenport, IA 52804
Just like the ornaments on your Christmas tree are your personal collection of colors and themes, so is the art that decorates the walls of Bereskin Gallery. Whether you prefer 2D or 3D, the gallery has a piece for your home. Treat yourself or someone you love to the gift of art.

In December for Final Friday, we will be having the annual Wine Walk! This month
Final Friday will not be occuring on the last Friday of the month because of the holidays, instead it will be on December 18th from 6 to 9 p.m. 

Third Thursday is a special monthly self-guided tour of downtown Davenport's growing shopping scene. Discover the many unique and locally owned shops during this featured event on December 17th from 5 to 9 pm and take advantage of many Third Thursday specials being offered by participating businesses.We just came out with a new class list for all ages! Young and old alike. Every artist in the gallery is teaching a class this winter. We are also bringing in world rebounded artist Tina Garrett to teach a three day painting seminar. Come in and pick up a new brochure or check out our website!

CALL FOR ARTISTS OF ALL DISCIPLINES

CSA: Community Supported Art

Submission Deadline: January 30, 2016

Over the last 20 years, Community Supported Agriculture (CSA) has become a popular way for consumers to buy seasonal food directly from local farms. With the same "buy local" spirit in mind, Community Supported Art is a similar endeavor to support local art, artists and collectors. It's been replicated in over thirty cities in North America over the past five years. We are seeking artists, of all disciplines, to a launch our inaugural Community Supported ART (CSA) program.

Local art advocates of multi-arts organizations are coming together to bring CSA to Dubuque. In an effort to encourage the growth of the local art scene, CSA aims to promote and motivate upcoming artists by connecting them with art buyers and local art institutions. In hopes to spark a passion for art collecting, CSA makes contemporary art easily reachable for all appreciators of creativity and inspiration.

Artists will be selected by a regional juror to receive a stipend of $1,000, connections to great local collectors and promotional support.

How the CSA works:

Selected artists will create 25  "shares". A typical share will consist of a work of art/object/reproduction (multiples are acceptable. For example, a limited edition of a vinyl 7" music record, a run of screen-prints, series of small tea cups, a series  of photographs, letterpress editions of a poem or short story, or even 25  small paintings. Collaborations between artists or work by collectives are also welcome. Creative ideas that translate your practice into this format or connect to themes like sustainability, farm, or food are also encouraged.

Interested consumers/collectors will purchase a share ("subscription"), and in return receive a  box of locally produced artwork. There will be a CSA preview event held at the Dubuque Museum of Art in April and a CSA pick-up event at the Dubuque Area Arts Collective in August.

ART SUBMISSIONS:

To apply for consideration in the CSA program please submit application via email to dubuquecsart@gmail.com by January 30, 2016. To download application, go to http://daartscollective.com/CSA, or contact us at dubuquecsart@gmail.com.

Selected artists will be notified by February 29, 2016.

Guidelines:

  • Artist must live within 120 miles of Dubuque, IA.

  • Proposed work must be completed by July 1.

  • Please contact us if your work sample documentation does not fit the suggested formats.

  • 50% of stipend and delivery arrangements will be available upon acceptance of contract. The remaining 50% will be awarded after completion of work. If artist needs special arrangements, they can contact us with  an appeal.

  • The stipend award is intended to assist with the production costs of the pieces.

  • Work should be easily transportable and fit into a 18" x 12" x 12" box.

For questions regarding the program or application process contact dubuquecsarts@gmail.com.

Rock Island, Illinois - Born and raised in Chicago, Minneapolis and New York, three area artists have created works that reflect their discovery of the Mississippi River area in an upcoming art exhibit. The Art Collective, twelve artists from the Quad City region, will present a group show during January and February at MidCoast Gallery West, 1629 2nd Avenue, Rock Island. "A River Runs Thru Us" will debut at an opening reception on January 8, from 6-9 pm and is free to the public.

One of the artists showing work is Naidine D'Angelo, who creates layered photographic works. Born and raised in the Bronx, the transplanted New Yorker was fascinated by the unexpected existence of pelicans in the Midwest. "I thought pelicans were only found in the south, so seeing these beautiful birds flying over the Mississippi was amazing," D'Angelo explained. She has created a grouping of works reflecting her curiosity about these creatures for the Collective's show.

Rose Moore moved to this region from the Chicagoland area nine years ago and felt drawn to the power and history of the Mississippi River. Traveling the upper Mississippi for work, Moore was impressed by the scenic bluffs and valleys of northeast Iowa. "I promised myself I would return to that region and paint," she said. Her works for the show reflect retro travel postcards with one work paying homage to Black Hawk and his people.

Another transplant with an urban upbringing is artist Rev. Patricia Halverson, who was raised in a suburb of Minneapolis. "Although the Mississippi was only a mile from my home, I paid little attention to it growing up," Halverson shared. "However, when I began oil painting eleven years ago, I found I was drawn to painting water in nearly all of my work." Her pieces for the show reflect the blending of industry and recreation on the river, showcasing well-known Quad-City river scenes: barges and a sailing regatta near the Village of East Davenport.

The Art Collective show will feature the work of 12 artists with media ranging from wood to calligraphy. In addition to D'Angelo, Moore and Halverson, the Collective includes Jay Stratton, Amy Nielsen, Bill Wohlford, Sheryl Lammers, Andi Naab, Bonnie Grebner, Lori Miller, Brent Langley and Judy O. Gray. For more information on the show and The Art Collective, visit our Facebook page at The-Art-Collective.

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How on earth do you find that perfect frame for that beautiful nature scene?

Or how about that golf ball which was your first hole-in-one? Perhaps that photograph of your ancestors needs a new home. One place that specializes in custom frames as well as contempory artwork is Woodland Gallery in the Village of East Davenport.

Located at 1111 Mound Street, owner Les Siebke said customers can have basically anything you want framed.

"We've framed musical instruments," said Les. "We can frame footballs, to Walter Payton jerseys to golf balls from hole-in-ones. Basically, any memorabilia you've got, we can frame."

But custom wood and metal frames just scratch the surface of what Woodland Gallery has to offer. Step inside the showroom and one can see a huge seleciton of artwork. Colorful, picturesque prints linen the walls and racks.

Paintings aren't the only artwork for sale. Photographers also have contributed to the store's stock, including Quad City area landmarks.

If it's not a particular artist that draws a customer to the store, perhaps that time comes during one of the Village of East Davenport's many festivals. Woodland Gallery has always welcomed customers during any and every festival, including the Civil War Re-enactments that are now part of the Village's past.

But, customers have one more reason to stop at the Woodland Gallery this year. Les Siebke is retiring, and therefore, is selling all of his merchandise. Everything is 40% off.

He opened the gallery in 1977, and in his nearly 40 years, he has operated locations in the Olde Town Mall, the Village of East Davenport, Southpark Mall, Muscatine & Williamsburg. Needless to say, the Woodland Gallery has been a Quad City icon for four decades.

Success has been gleaned through their custom framework and vast selection of artwork. "I think we do very, very good framing," says Les. "We have a large variety of artwork for people to choose from, whether it's photographs, posters, prints, limited editions, canvas pieces, originals...basically, we have something for everyone."

Les said he is glad to have experienced such success and happiness from the Woodland Gallery in the past 40 years. He is sad to be moving on from such happy and cherished memories, but looks forward to retirement and fishing in warmer weather! He added that artwork makes a perfect Christmas present, since is lasts a lifetime and the recipient will always remember the gift.

Quad City residents will have many fond memories of the Woodland Gallery. Their custom framing quality is unmatched and Les is right - there really is something for everyone in his gallery of beautiful artwork.

The Woodland Gallery is offering 40% off as part of their Happy Retirement Sale! Don't miss out on some hidden gems!

For more information, contact Stephanie Sellers at 563-505-8891 or saesellers@gmail.com.

The sale will be running through the end of the year.

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