28 Jun 2005

Bothered and Bewildered by "Bewitched": Also, "George A. Romero's Land of the Dead" and "Herbie Fully Loaded"

By Mike Schulz

Will Ferrell and Nicole Kidman in BewitchedBEWITCHED

As needless films versions of "classic" '60s TV series go, Nora Ephron's Bewitched is even worse than endeavors such as I, Spy and The Beverly Hillbillies, because this one actually seemed promising.

31 May 2005

"Madagascar" Deserves to Be a Hit: Also, "The Longest Yard" and "Millions"

By Robert Jackson Jr.

MadagascarMADAGASCAR

See enough movies, especially ones geared to the younger set, and you all but stop expecting to be surprised by the arc of the plot; our heroes will learn valuable Life Lessons, generally while embarking on A Perilous Journey, good will triumph over evil, the comforts of home, family, and friends will prove more beguiling than any possible adventure, yada yada yada. The joy - the shock - of the new computer-animated comedy Madagascar is that, from scene to scene, you might find yourself having no clue where events will lead, yet you're laughing too hard to pay the matter much mind.

10 May 2005

Explosive "Crash" an Early Contender for Best of 2005: Also, "Melinda & Melinda" and "XXX: State of the Union"

By Mike Schulz

Jennifer Esposito, Don Cheadle, and Kathleen York in CrashCRASH

Crash, the magnificent drama by Million Dollar Baby screenwriter Paul Haggis, fits alongside such sprawling, ensemble-driven works as Grand Canyon, Short Cuts, and Magnolia, movies in which plotlines dovetail within one another and themes enmesh, and where bitter, dissatisfied characters might not wind up more content than before - some might not even wind up alive - but they will definitely have shared, for better or worse, An Experience. (These characters might not receive traditional happy endings, yet they almost invariably find degrees of solace and a measure of hope.) Moviegoers who crave a clearly delineated moral to their stories can be driven batty by films of this ilk; more than once I've heard someone ask, apropos of one of these works, "But what was its point?" Crash, like its predecessors, explores characters so hungry for contact and meaning and understanding in a chaotic universe that they're ready to explode, and oftentimes do. That hunger becomes the point.

03 May 2005

"Hitchhiker's Guide" a Free-Wheeling Joy: "The Hitchhiker's Guide to the Galaxy," "King's Ransom," and "A Lot Like Love"

By Mike Schulz

Mos Def and Martin Freeman in The Hitchhiker's Guide to the GalaxyTHE HITCHHIKER'S GUIDE TO THE GALAXY

The Hitchhiker's Guide to the Galaxy is something unusual: a movie wherein everyone involved appears to be having a good time. Of course, you could say the same about Cannonball Run or Ocean's Twelve, but the difference here is that the audience is allowed to have a good time, too. Based on Douglas Adams' cheeky, beloved sci-fi novel, Hitchhiker's Guide, which has been in various stages of film development for the better part of two decades, is a goofy, oftentimes glorious mess of a movie. If George Lucas and the Monty Python troupe ever spawned, the results would look something like this; I started smiling during the film's opening credits and only stopped to occasionally laugh out loud.

05 Apr 2005

Graphic Novel Comes to Life in Stunning "Sin City": Also, "Beauty Shop"

By Mike Schulz

Mickey Rourke in Sin CitySIN CITY

Sin City, which is based on three graphic novels by comic-book legend Frank Miller, might not be Pulp Fiction, but it is most definitely pulp fiction, and dazzlingly entertaining pulp fiction, to boot.

15 Mar 2005

Unexpected Moments Enliven "The Pacifier": Also, "Stage Beauty" and "Robots"

By Mike Schulz

Vin Diesel in The PacifierTHE PACIFIER

There's a moment in the Vin Diesel family comedy The Pacifier that should have really pissed me off, but instead it made me almost unaccountably happy: About midway through the film, Diesel, playing a former Navy SEAL entrusted with the safety of five fatherless youths (you've seen the trailers, you get the idea), enters their suburban digs covered in raw sewage, the victim of a practical joke pulled by the family's oldest siblings.

07 Mar 2005

"Be Cool" a Maddening Waste of Time and Talent: Also, "The Jacket" and "Cursed"

By Mike Schulz

Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I've missed a few of the year's more high-profile flicks - Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps - but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood's output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it's worse than Alone in the Dark. I literally can't remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it's the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.

01 Feb 2005

"Baby" Tops in 2004 - and Eastwood's Career: "Million Dollar Baby," "Hotel Rwanda," and "In Good Company"

By Mike Schulz

Clint Eastwood and Hilary Swank in Million Dollar BabyMILLION DOLLAR BABY

Despite featuring a few peripheral figures, Clint Eastwood's Million Dollar Baby is essentially a three-character mood piece, yet Eastwood, co-stars Hilary Swank and Morgan Freeman, and screenwriter Paul Haggis invest the material with so much emotional and intellectual accuracy that the results border on the overwhelming.

04 Jan 2005

Scorsese Falters with the Pandering "The Aviator": Also, "The Life Aquatic with Steve Zissou" and "Beyond the Sea"

By Mike Schulz

Leonardo DiCaprio in The AviatorTHE AVIATOR

Martin Scorsese's The Aviator, which covers two decades in the life of entrepreneur Howard Hughes, is a skillful, beautifully designed bio-pic, engaging and occasionally thrilling, and, despite a two-and-three-quarter-hour running time, it's remarkably easy to sit through.

28 Dec 2004

"Lemony Snicket" Not Quite an Unfortunate Event: "Lemony Snicket's A Series of Unfortunate Events," "Phantom of the Opera," "Meet the Fockers," and "Spanglish"

By Mike Schulz

Emily Browning, Jim Carrey, and Liam Aiken in Lemony Snicket's A Series of Unfortunate EventsLEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS

A friend recently introduced me to the considerable joys of Daniel Handler's Lemony Snicket novels, the first three of which have been adapted for the new Jim Carrey vehicle Lemony Snicket's A Series of Unfortunate Events.Handler rivals Roald Dahl in his talent for concocting exquisitely macabre and funny children's stories, and the Unfortunate Events series is almost embarrassingly enjoyable reading. (I'm currently on book nine of, thus far, 11.) The novels follow three orphans - Violet, Klaus, and baby Sunny - as they're whisked from relative to relative while evading their evil uncle, Count Olaf, a demented character actor attempting to murder them for their inheritance, and the surprising intricacy of the books' plotting is matched by their wit and humor; after reading them you feel jazzed and alert, like waking from an oddly funny nightmare.

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