action movies

14 Jun 2005

"Mr. & Mrs. Smith" Is Criminally Enjoyable: Also, "The Adventures of Shark Boy & Lava Girl in 3-D"

By Mike Schulz

MR. & MRS. SMITH

If it accomplished nothing else, Mr. & Mrs. Smith would easily nail a primal attraction for going to the movies: Getting to spend two hours staring at people who are infinitely better-looking than we are.

17 May 2005

"Unleashed" Starts Out Fun but Ends Up a Dog: Also, "Kingdom of Heaven" and "House of Wax"

By Mike Schulz

UNLEASHED

After its opening credits, Unleashed gets right down to business. Even if you haven't seen the trailers, the first five minutes of director Louis Leterrier's thriller will have you up to speed: Set in Glasgow, the film stars Jet Li as Danny, a young man raised by the malevolent crime boss Bart (Bob Hoskins) to be a human pit bull. If any of Bart's associates owe him money and refuse to pay, Bart introduces them to Danny, removes the Tiffany dog collar, and the welshers find themselves in a world of hurt.

10 May 2005

Explosive "Crash" an Early Contender for Best of 2005: Also, "Melinda & Melinda" and "XXX: State of the Union"

By Mike Schulz

CRASH

Crash, the magnificent drama by Million Dollar Baby screenwriter Paul Haggis, fits alongside such sprawling, ensemble-driven works as Grand Canyon, Short Cuts, and Magnolia, movies in which plotlines dovetail within one another and themes enmesh, and where bitter, dissatisfied characters might not wind up more content than before - some might not even wind up alive - but they will definitely have shared, for better or worse, An Experience. (These characters might not receive traditional happy endings, yet they almost invariably find degrees of solace and a measure of hope.) Moviegoers who crave a clearly delineated moral to their stories can be driven batty by films of this ilk; more than once I've heard someone ask, apropos of one of these works, "But what was its point?" Crash, like its predecessors, explores characters so hungry for contact and meaning and understanding in a chaotic universe that they're ready to explode, and oftentimes do. That hunger becomes the point.

26 Apr 2005

"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"

By Mike Schulz

THE INTERPRETER

Why do Sydney Pollack's movies so rarely have the snap and directness of his acting? Pollack doesn't appear onscreen nearly enough, and when he does, it's usually only for a scene or two. (His intellectual lout in Husbands & Wives was a rare, marvelous exception.) But these extended cameos - in Tootsie (which he also directed), Death Becomes Her, and Changing Lanes, especially - show Pollack the Actor to be a quick-witted utility player with focus and drive; without the slightest apparent effort, he can steal scenes from Dustin Hoffman or Tom Cruise, and any movie he's in gains in intensity and sharpness when he's around. Pollack the Director is another matter entirely. In the years since 1982's Tootsie, he has churned out one logy, shapeless, middlebrow time-waster after another: Havana, The Firm, Sabrina, Random Hearts ... they all wear their "prestige" on their sleeves, mistake inertia for depth, and are painfully overlong. (It's the Out of Africa Syndrome.)

22 Mar 2005

"The Ring Two" All Wet: Also, "Hostage" and "Aliens of the Deep"

By Mike Schulz

THE RING TWO

After sitting through the lifeless horror sequel The Ring Two, the only thing I wanted - besides a major jolt of caffeine to wake me up - was a towel. What is up with all the freakin' water in this movie? With the exceptions of Ariel in The Little Mermaid and Esther Williams in anything, I can't think of a leading actress who spends as much screen time soaked as Naomi Watts does in this half-hearted follow-up to 2002's The Ring.

18 Jan 2005

"House of Flying Daggers" an Intoxicating Action Spectacle: Also, "Elektra" and "Kinsey"

By Mike Schulz

HOUSE OF FLYING DAGGERS

Like many of us, one of my favorite movie memories will forever remain the moment in The Wizard of Oz when Dorothy opens the door of her black-and-white world to reveal the dazzling hues of Munchkinland; the impression that left on me as a child - the colors seemed more vibrant than any you'd encounter in real life - was so profound that, seeing the movie again as an adult, the scene still gets me a little misty-eyed.

07 Dec 2004

"Christmas" Leaves This Critic Kranky: "Christmas with the Kranks," "Alexander," "National Treasure," and "The SpongeBob SquarePants Movie"

By Mike Schulz

CHRISTMAS WITH THE KRANKS

Christmas with the Kranks is terrible. (Big surprise, huh?) What more needs to be said? As it turns out, a lot more.

07 Sep 2004

Late-Summer Odds and Ends: "Hero," "Napoleon Dynamite," "Without a Paddle," "Anacondas: The Hunt for the Blood Orchid," "Suspect Zero," and "The Exorcist: The Beginning"

By Mike Schulz

HERO

Does any moviegoer really care what Zhang Yimou's Chinese martial-arts epic Hero is actually about? You get to see adversaries battling one another while running on water! You get to see a woman warding off a bow-and-arrow onslaught using only her dressing gown! You get to see a guy splitting raindrops in half with a sword, for Pete's sake!

03 Aug 2004

"The Village" Proves Shyamalan Needs a New Formula: Also, "Catwoman"

By Mike Schulz

THE VILLAGE

Nobody likes a know-it-all, so I have nothing to gain by admitting that I figured out The Big Twist in M. Night Shyamalan's The Village after about 15 minutes. But I'll venture that this popular writer-director has everything to lose by continuing to make his cinematic spook shows so repetitively, predictably "surprising." If you find yourself less than enthralled by The Village's narrative, you have far too much time to ruminate on how Shyamalan will attempt, yet again, to pull the rug out from under you; he's undermining his talent - and the man does have some - with his implied "Bet ya didn't see that coming!" finales. (It's becoming easy to respond with, "Oh yeah I did.")

13 Jul 2004

Brew & View Offering the Year's Most Satisfying Movie So Far: "Good-bye, Lenin!", "Anchorman: The Legend of Ron Burgundy," "King Arthur," and "The Notebook"

By Mike Schulz

GOOD BYE, LENIN!

Around this time last year, while local audiences were flocking to Pirates of the Caribbean and Bad Boys II, the Brew & View presented the area debut of 2003's finest film to that point - the extraordinary Capturing the Friedmans - and, amazingly, the Rock Island venue has done it again this summer.

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"Mr. & Mrs. Smith" Is Criminally Enjoyable: Also, "The Adventures of Shark Boy & Lava Girl in 3-D"

"Unleashed" Starts Out Fun but Ends Up a Dog: Also, "Kingdom of Heaven" and "House of Wax"

Explosive "Crash" an Early Contender for Best of 2005: Also, "Melinda & Melinda" and "XXX: State of the Union"

"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"

"The Ring Two" All Wet: Also, "Hostage" and "Aliens of the Deep"

"House of Flying Daggers" an Intoxicating Action Spectacle: Also, "Elektra" and "Kinsey"

"Christmas" Leaves This Critic Kranky: "Christmas with the Kranks," "Alexander," "National Treasure," and "The SpongeBob SquarePants Movie"

Late-Summer Odds and Ends: "Hero," "Napoleon Dynamite," "Without a Paddle," "Anacondas: The Hunt for the Blood Orchid," "Suspect Zero," and "The Exorcist: The Beginning"

"The Village" Proves Shyamalan Needs a New Formula: Also, "Catwoman"

Brew & View Offering the Year's Most Satisfying Movie So Far: "Good-bye, Lenin!", "Anchorman: The Legend of Ron Burgundy," "King Arthur," and "The Notebook"

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