Jennifer Garner and Ben Affleck in DaredevilDAREDEVIL

Though he tries mighty hard, Ben Affleck isn't quite able to ruin Daredevil, Mark Steven Johnson's screen adaptation of the Marvel comic. Among comic-book fans, the news that Affleck would be portraying the tortured hero - an angry, despressed, and, oh yeah, blind lawyer who, when not losing cases in court, dons leather and kicks bad-guy ass - was met with a collective rolling of the eyes; a friend of mine, upon hearing about the casting, put it succinctly: "Oh great. It's gonna suck."

Derek Luke and Denzel Washington in Antwone FisherANTWONE FISHER

It's a bit late, but it finally arrived. The closing of each year brings with it at least one touching, inspirational, triumph-of-the-human-spirit movie designed to make audiences weep and Oscar voters genuflect, while certain Midwestern film critics roll their eyes and wish they could throw things at the screen. (Previous examples: I Am Sam, The Hurricane, and Shine.) For a while, it looked like 2002's might be About Schmidt, but the film barely qualified; it wasn't incompetently made, and it did provide a few laughs. At last, though, we have a winner.

Ian Somerhalder in The Rules of AttractionTHE RULES OF ATTRACTION

Roger Avary's The Rules of Attraction, based on yet another Bret Easton Ellis (Less Than Zero, American Psycho) novel about soulless, loathsome yuppie scumbags of the '80s, is vile, venal, and sometimes shockingly distasteful. I loved it.

Reese Witherspoon, Patrick Dempsey, and Candice Bergen in Sweet Home AlabamaSWEET HOME ALABAMA

Just how much goodwill are audiences willing to extend to Reese Witherspoon? Quite a lot, actually, if their response to Sweet Home Alabama is any indication.

Asia Argento and Vin Diesel in XXXXXX

Put simply, Vin Diesel's action thriller XXX, directed by The Fast and the Furious helmer, Rob Cohen, succeeds competently at its intentions, which are to make a loud, ass-kicking, summertime blockbuster and kickstart a new, James-Bond-playing-extreme-sports movie franchise.

Harrison Ford in K-19: The WidowmakerK-19: THE WIDOWMAKER

Most movie trailers make the film in question look much better than it actually is; the previews for K-19: The Widowmaker don't give any indication how good it actually is.

Michael Pitt and Ryan Gosling in Murder by NumbersMURDER BY NUMBERS

In Barbet Schroeder's thriller Murder by Numbers, Sandra Bullock stars as Cassie Mayweather, a Southern California detective who, along with her nebbishy partner (Ben Chaplin), attempts to solve the murder of a local Jane Doe, killed in a seemingly haphazard fashion and left beside a creek.

Morgan Freeman and Ashley Judd in High CrimesHIGH CRIMES

If Hollywood studios absolutely insist on feeding us one piece-of-crap potboiler after another, they could certainly do worse than the trashily entertaining military thriller High Crimes.

Scrat in Ice AgeICE AGE

Movies with charm have been in such short supply this year that the animated Ice Age feels like a shot of pure oxygen. Visually, the film is lacking the detail of a Shrek or a Monsters, Inc., and it's a bit on the goody-goody side, but it's a completely enjoyable, amiable good time at the cineplex, particularly if you've been looking for a movie to take the family to that's less saccharine than Return to Neverland and infinitely smarter than the likes of Big Fat Liar and Snow Dogs.

Denzel Washington in John Q.JOHN Q.

In Nick Cassavetes' soapbox-lecture-cum-thriller John Q., Denzel Washington stars as blue-collar worker John Archibald, a middle-aged Chicagoan struggling with tight finances but deeply in love with his wife, Denise (Kimberly Elise), and a great father to their only son, Mike (Daniel E. Smith). While rounding the bases at a little-league game, Mike collapses, and it's revealed that Mike's heart is three times the size it should be; unless the Archibalds can come up with the enormous fee required for a heart transplant, Mike will die. The Archibalds do have health insurance, but because their insurance company recently switched to an HMO (cue the duh-duh-dun music), their coverage is no longer sufficient for Mike's operation, and when all of their other money-raising options have been eliminated, John arms himself, takes the hospital's emergency room hostage, and announces that, yes, Mike will be getting that transplant.

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