Viewing The Road to Perdition, I didn't much care how the plot worked itself out or how the characters interacted; I just wanted to watch the rain land on Tom Hanks' and Paul Newman's fedoras.
We've had so many reinterpretations of Shakespeare's classics in recent years, and so many that have been surprisingly fine (I'm thinking of 10 Things I Hate About You, the Ethan Hawke Hamlet, and the genre's standard-bearer, Baz Luhrmann's Romeo + Juliet), that you're inclined to give O, which sets Othello in the world of high-school basketball, the benefit of the doubt.
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