Javier Bardem and Penelope Cruz in Vicky Cristina BarcelonaVICKY CRISTINA BARCELONA

In 1992's Husbands & Wives, Juliette Lewis' neophyte reads an unpublished novel by Woody Allen's author, and responds to its romantic ennui with an exasperated "Are our choices really between chronic dissatisfaction and suburban drudgery?" Sixteen years later, with Vicky Cristina Barcelona, the writer/director's response appears to be: Yup. Yet while we Allen fans have been here before, we've never been here before.

Adam Sandler in You Don't Mess with the ZohanYOU DON'T MESS WITH THE ZOHAN

The latest Adam Sandler vehicle, You Don't Mess with the Zohan, is crass, infantile, moronic, and, on almost any level you can name, pretty damned offensive. I could kill myself for having so much fun at it.

Jack Black and Mos Def in Be Kind RewindBE KIND REWIND

It's easy to enjoy writer/director Michel Gondry's Be Kind Rewind, but it's not the sort of enjoyment that lasts longer than your drive home from the cineplex, and the disappointment of the movie is that you really want it to be.

Nicolas Cage and Diane Kruger in National Treasure: Book of SecretsNATIONAL TREASURE: BOOK OF SECRETS

National Treasure: Book of Secrets, the follow-up to 2004's globe-trotting-archaeologist adventure, could generously be termed "perfunctory"; it gives (family) audiences exactly the formulaic, Indiana Jones-lite action, romance, and humor they adored in the original. It could also, less generously, be described as "crummy," as returning director Jon Turteltaub ensures that every remedially staged sequence has the same bland, going-through-the-motions tone as the one that came before. (At least its predecessor provided a few jokes.)

Rudy Youngblood in ApocalyptoAPOCALYPTO

There was a lot that I hated about Mel Gibson's Mayan-language action epic Apocalypto.

I hated the obviousness of the opening 20 minutes, with the director crudely working overtime to make the Mayans "relatable." (Look! They played practical jokes! And teased their friends about their sex lives! And gave blow jobs! Just like us!) I hated the way Gibson was cranking up the audience's bloodlust via the sentimental idylls; our hero, Jaguar Paw (Rudy Youngblood), is given not only a sage, loving father and a devoted, nine-months-pregnant wife, but perhaps the cutest toddler on God's green earth.

Keisha Castle-Hughes in The Nativity StoryTHE NATIVITY STORY

After more than an hour of noble attempts and unfortunate - though unembarrassing - failings, director Catherine Harwicke, in her biblical tale of The Nativity Story, finally lands upon the style she appears to have been aiming for all along. Mary (Keisha Castle-Hughes) has just given birth to Jesus, and as she lies in the manger alongside her husband, Joseph (Oscar Isaac), a blinding shaft of light descends from the heavens and lands directly on the holy family, creating a tableaux that is at once instantly familiar and freshly moving.

Naomi Watts and King KongKING KONG

The most telling detail in Peter Jackson's grand, overlong, monstrously enjoyable King Kong remake is, considering the scope of this production, a relatively minor one. Having been captured by the natives of Skull Island, the ingénue Ann (Naomi Watts) is presented - tied and shrieking - as a sacrifice/gift to the enormous ape, who emerges from the jungle, frees Ann from her bindings, and grasps her in his giant paw. (Kong doesn't grace the scene until roughly an hour into the movie, and the moments leading up to his arrival are a miracle of sound design and visual suggestion; Kong's appearance is absolutely worth waiting for.) Like a petulant toddler who doesn't want to share his toy, Kong quickly races back to his jungle retreat with his new plaything in hand, and the force and velocity of the ape's movements make Ann resemble nothing so much as a human rag doll, her body limp and her limbs flailing.

Ben Stiller and Jennifer Aniston in Along Came PollyALONG CAME POLLY

There's a pretty funny movie lurking within Along Came Polly, but unfortunately, it bears little relation to the slack and obvious one Ben Stiller and Jennifer Aniston are stuck in.

Harry Altman in SpellboundSPELLBOUND

I have always considered it a personal mission to convince people that documentaries can actually be fun - recently, I enjoyed a hard-won victory when my mother (who, as she is wont to say, "gets enough drama in life") acceded to watch Bowling for Columbine and found herself liking it - and, bless their hearts, the folks at the Brew & View appear to as well.

Scrat in Ice AgeICE AGE

Movies with charm have been in such short supply this year that the animated Ice Age feels like a shot of pure oxygen. Visually, the film is lacking the detail of a Shrek or a Monsters, Inc., and it's a bit on the goody-goody side, but it's a completely enjoyable, amiable good time at the cineplex, particularly if you've been looking for a movie to take the family to that's less saccharine than Return to Neverland and infinitely smarter than the likes of Big Fat Liar and Snow Dogs.

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