Eugene Pavinato, Cara Chumbley, Chris Causer, and Kelly Lohrenz in reasons to be prettyThe strength of playwright Neil LaBute's writing skills was on full display in the District Theatre's equally stunning, Friday-night presentation of reasons to be pretty. LaBute's gritty drama about the demise of a couple after the guy is overheard describing his girl as having a "regular"-looking face is loaded with sharp banter and realistic relationships that are less than perfect, and the show's dark humor is not lost on director Bryan Tank's cast. The comicality is clear as the characters scream obscenities at each other, stab each other verbally, and behave in seriously ugly ways.

Maggie Woolley and Matt Mercer in The Shape of ThingsAuthor Neil LaBute is known, and respected, for pushing the envelope with his plays. The Richmond Hill Barn Theatre generally produces plays that are comparatively safe in theme and style. So it's a somewhat surprising thing to see LaBute's The Shape of Things on the barn-theatre stage - and, I think, a very good thing, too. Because while some of the play's elements are offensive, its central themes of art, relationships, and what we're willing to do for love are well worth examining. And happily, they're examined here in a production that is also thoughtfully staged and performed.

Jessica Sheridan in BashNeil LaBute's Bash - the debut presentation from the newly formed Phoenix Theatre Company - finds three of the author's short plays performed in succession, and in the middle of its first offering, actor Chris White rises from his chair, walks to its back, removes his suit coat, and then sits down again. In movie parlance, this is what would be known as Bash's "action scene."

Ricky Gervais, Tea Leoni, and Greg Kinnear in Ghost TownGHOST TOWN

Maybe you need to have seen a lot of bad romantic comedies, or bad movies involving ghosts, or bad romantic comedies involving ghosts, to appreciate just how good Ghost Town is. Maybe not, of course, especially considering how hysterical Ricky Gervais is in the movie's lead. But if you sit through enough dreary Hollywood outings of this sort, it doesn't take long to realize that something pretty special is happening here.

Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.

Renee Zellweger in Nurse BettyNURSE BETTY

It's one of the iconic movie moments of the '90s: Renee Zellweger, as Dorothy Boyd, responding to husband Jerry Maguire's declaration of love with a throaty "You had me at hello." It was at that point that audiences everywhere lost it, not just because of the perfection of the line itself, but because Zellweger delivered it with such vulnerability and delicacy that it was emotionally overwhelming; you not only wanted to reach out to her, you wanted to hug her and not let go.