There are some delightful moments in Quad City Music Guild's holiday production A 1940s Radio Christmas Carol, including composer David Wohl's fantastic arrangements of classic carols, and inspired performances by some of the cast members portraying radio actors. When neither of these elements are present, there's also scenic designer Harold Truitt's layered, multi-level set with a plethora of pleasing décor, as well as costume designer Heidi Pedersen's impeccably-tailored period ensembles. It also boasts the fun of watching several local acting dynamos share the stage together.
As I watched Friday's performance of Any Number Can Die at the Playcrafters Barn Theatre, I tried to remember that there was (probably) a time when Fred Carmichael's script was considered hilarious. As a spoof of murder mysteries of the 1920s, this 1965 work may originally have been fresh, poking fun at the plays that audiences were used to seeing. Now, though, with so many comedies poking fun at murder-mystery clichés - and with one seemingly presented each year by Playcrafters - the jokes at the expense of the clichés have themselves become cliché. Still, Carmichael's script and Playcrafters' production of it are amusing enough to make the show at least tolerable.
A preface for those at Sunday's Genesius Guild presentation of The Comedy of Errors: You know that horribly rude woman who talked, and talked loudly, on her cell phone through the first two minutes of the play, even after repeated shushings and one verbal request to shut the hell up? I sat three rows behind her.
As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.Subscribe & Listen to Reader Podcasts
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