Taraji P. Henson and Brad Pitt in The Curious Case of Benjamin ButtonTHE CURIOUS CASE OF BENJAMIN BUTTON

Visually arresting and wildly ambitious, The Curious Case of Benjamin Button is a tough film to dislike. But I'm giving it a shot anyway, because while director David Fincher's 165-minute opus is spectacular in lots of small ways, it's frustrating and fundamentally unsatisfying in much, much bigger ones. Given several days to reflect on the experience, I no longer hate the movie the way I initially did, yet I remain convinced that what could have, and should have, been a magical, lyrical piece of work is instead a graceless, obvious, and frequently maddening one.

Brad Pitt in Burn After ReadingBURN AFTER READING

Brad Pitt is so adorably dim-witted in the Coen brothers' espionage comedy Burn After Reading, and John Malkovich is so hilariously profane (and singularly weird), that it's a little heartbreaking to admit just how disappointing the actors' debut outing with the Coens actually is. From 1984's Blood Simple to last year's No Country for Old Men, the filmography of Joel and Ethan has been chockablock with enjoyably eccentric throwaway characters. Until now, though, I'd never seen a Coen brothers movie that was nothing but a series of enjoyably eccentric throwaway characters; Pitt, Malkovich, and the film's other hard-working performers provide a decent enough time, yet I still left Burn Without Reading feeling a little bewildered and annoyed, and counting the months - hopefully not too many - until the siblings' next endeavor.

Matt Damon, George Clooney, and Brad Pitt in Ocean's 13OCEAN'S THIRTEEN

Memories of the meandering, tiresome, and ceaselessly smug Ocean's Twelve - Steven Soderbergh's first sequel to his 2001 heist flick Ocean's Eleven - were enough to make me leery about Ocean's Thirteen, and during the film's first reel, that feeling rarely subsided; it, too, seemed both simplistic and maddeningly convoluted, and inordinately pleased with itself from the get-go.

Sacha Baron Cohen in Borat: Cultural Learnings of America for Make Benefit Glorious Nation of KazakhstanBORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN

How could any film live up to the hype that preceded Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan? Even before the movie's national release - which occurred a week before its appearance in our area - everyone, it seems, was abuzz. Borat made early splashes at the Cannes and Toronto film festivals, critics were searching high and low for superlatives, and for its October 20 issue, Entertainment Weekly put star Sacha Baron Cohen on the cover, accompanied by the teaser "Has this man made the funniest movie ever, or simply the most outrageous, offensive one?" Following Borat's opening weekend, box-office records were shattered while the displeasure of many - Kazakh officials, the Anti-Defamation League, a pair of litigious frat guys - was duly recorded, and by the time it opened here on Friday, desire to see the movie was replaced by desire to be in on the event. Could this 85-minute, low-budget endeavor possibly be as great as our expectations of it?

Well, it is and it isn't.

Heath Ledger and Matt Damon in The Brothers GrimmTHE BROTHERS GRIMM

Fairy tales, at their core, exert a powerful emotional pull, and at rare moments in Terry Gilliam's The Brothers Grimm, the director finds a visual equivalent to their hypnotic, wicked appeal. In this typically unclassifiable Gilliam excursion, the first glimpse of Little Red Hiding Hood traipsing through the gloomy forest is enough to give any adult viewer a shiver. Gilliam frames her entrance, and the later arrival of Hansel and Gretel, with ominous portent, the colors - that cape and hood especially - are enticing, and the forest sets have a creepy, storybook elegance. For the briefest of moments, you're a kid again, enraptured by the haunting, suggestive simplicity of these stories; our first sightings of Little Red, Hansel, and Gretel bring with them a spark of tingly joy.

Brad Pitt and Angelina Jolie in Mr. & Mrs. SmithMR. & MRS. SMITH

If it accomplished nothing else, Mr. & Mrs. Smith would easily nail a primal attraction for going to the movies: Getting to spend two hours staring at people who are infinitely better-looking than we are.

Jet Li in UnleashedUNLEASHED

After its opening credits, Unleashed gets right down to business. Even if you haven't seen the trailers, the first five minutes of director Louis Leterrier's thriller will have you up to speed: Set in Glasgow, the film stars Jet Li as Danny, a young man raised by the malevolent crime boss Bart (Bob Hoskins) to be a human pit bull. If any of Bart's associates owe him money and refuse to pay, Bart introduces them to Danny, removes the Tiffany dog collar, and the welshers find themselves in a world of hurt.

Clint Eastwood and Hilary Swank in Million Dollar BabyMILLION DOLLAR BABY

Despite featuring a few peripheral figures, Clint Eastwood's Million Dollar Baby is essentially a three-character mood piece, yet Eastwood, co-stars Hilary Swank and Morgan Freeman, and screenwriter Paul Haggis invest the material with so much emotional and intellectual accuracy that the results border on the overwhelming.

Mark Ruffalo, Peter Krause, Naomi Watts, and Laura Dern in We Don't Live Here AnymoreWE DON'T LIVE HERE ANYMORE

Anyone who recently went to see Closer and walked away feeling underwhelmed is encouraged to rent the new-to-DVD-and-video release We Don't Live Here Anymore immediately.

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