Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.

Dennis Quaid and Sarah Jessica Parker in Smart PeopleSMART PEOPLE

This past Friday, a couple of friends and I were discussing the long-delayed return of new episodes of NBC's Thursday-night comedies - the unfailingly hysterical 30 Rock and The Office, the shrill, irritating My Name Is Earl, and Scrubs, a show I've occasionally endured when I was feeling too lazy to change the channel. One of my friends admitted that Scrubs has been off its game for quite a while, but said he sticks with it because, after seven seasons, he's become too invested in the actors and their characters to stop watching. I felt the same way during director Noam Murro's Smart People.

Walter Day and Steve Wiebe in The King of Kong: A Fistful of QuartersTHE KING OF KONG: A FISTFUL OF QUARTERS

Well before Seth Gordon's documentary The King of Kong: A Fistful of Quarters was released (in other markets) six weeks ago, the director/editor had also been tapped by New Line Cinema to remake it as a more traditionally crowd-pleasing Hollywood narrative. Having now seen Gordon's hugely enjoyable doc, I can barely fathom a more redundant film concept.

Megan Fox and Shia LaBeouf in TransformersTRANSFORMERS

I laughed out loud a good half-dozen times at Transformers, and for the first time ever at a Michael Bay movie, not derisively. No one could have been less enthused than I at the prospect of a Bay-directed, live-action "adaptation" of the toys I was too old for in the mid-'80s. (I'll admit to a mildly derisive chuckle at the opening credit: "In association with Hasbro.") Yet all things considered, the resulting movie is great fun - 90 minutes of amusement and frequent exhilaration. The fact that the film actually runs 145 minutes proves to be only a slight detriment.

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven's Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn't have a lot else going for it.

Mos Def and Martin Freeman in The Hitchhiker's Guide to the GalaxyTHE HITCHHIKER'S GUIDE TO THE GALAXY

The Hitchhiker's Guide to the Galaxy is something unusual: a movie wherein everyone involved appears to be having a good time. Of course, you could say the same about Cannonball Run or Ocean's Twelve, but the difference here is that the audience is allowed to have a good time, too. Based on Douglas Adams' cheeky, beloved sci-fi novel, Hitchhiker's Guide, which has been in various stages of film development for the better part of two decades, is a goofy, oftentimes glorious mess of a movie. If George Lucas and the Monty Python troupe ever spawned, the results would look something like this; I started smiling during the film's opening credits and only stopped to occasionally laugh out loud.