As its storyline was inspired by 1925's notorious Scopes "Monkey Trial," and its original 1955 presentation a response to McCarthyism, Inherit the Wind is one of those theatrical titles that wears its badges of Importance and Social Relevance on its sleeve. And so it isn't until you see the play (or see it again) that you realize (or remember) just how entertaining it is; Jerome Lawrence's and Robert E. Lee's courtroom drama is less a lecture or a harangue than a juicy, if sentimentalized, episode of Law & Order.
Euripides' Medea, the title character of the Greek drama currently being produced in Rock Island's Lincoln Park, is a vengeful sorceress who - after discovering the unfaithfulness of her lover, Jason - kills Jason's wife, the king of Corinth, and, in her most monstrous act, her two young sons. And while I'm not sure what it says about me, I may have had more sheer fun at this Genesius Guild endeavor than at any other I've seen over the past two years. With superior direction by Peggy Hanske, this Medea is a vibrantly dramatic, unexpectedly funny, and completely accessible version of the classic tale, and it's the most consistently well-acted Genesius Guild production I've yet seen.






