Meghan Hakes, Lori Dansby, and Joshua Estrada in Chicago All things considered, Friday night's presentation of Chicago at the Clinton Area Showboat Theatre was pretty darned impressive.

Dallas Milholland and Blake Adams in Sweeney Todd There were a fair number of shocks at Saturday's presentation of the Clinton Area Showboat Theatre's Sweeney Todd, the Demon Barber of Fleet Street. But one of the biggest came before the show even started: When the house lights dimmed, I looked down from my chair in the Showboat's balcony, and gazed upon ... nearly a half-dozen rows of completely unfilled seats.

Alison Luff in Thoroughly Modern Millie When he took the stage before Thursday night's presentation of Thoroughly Modern Millie, the Clinton Area Showboat Theatre's producing artistic director - and Millie director - Craig A. Miller mentioned that audiences might notice a couple of changes at the 'Boat this year.

Guys & Dolls ensemble members The Clinton Area Showboat Theatre's production of Guys & Dolls is wonderfully entertaining and loaded with personality, but in the role of Miss Adelaide - the put upon showgirl with the psychosomatic head cold - Kay Ann Allmand is so sensationally enjoyable that her portrayal practically defies description.

Permit me to give it a shot anyway.

Lend Me a TenorThis is why I love live theatre.

In the Clinton Area Showboat Theatre's production of Ken Ludwig's Lend Me a Tenor, Will Morgan plays Tito Merelli, an egocentric and wildly passionate Italian opera star. Late in Act I, the character discovers that his equally tempestuous wife is leaving him. Merelli subsequently launches into a fit of hysterically inconsolable grief, and on Thursday night, Morgan wailed and moaned with peerless comic abandon.

Yet at the very moment the actor began his tirade, there was an enormous thunderclap, and the evening's rainstorm - which had been percolating for an hour - significantly grew in intensity. For three minutes, the squall outside seemed to echo the personal tsunami that Morgan was enacting on-stage, until finally, with Joshua Estrada's hapless nebbish Max calming him, Morgan's Merelli collapsed on the bed, devastated and exhausted.

And outside, as if on cue, the storm began to subside.