Bryan Tank in CabaretQuad City Music Guild's Cabaret is at its most entertaining whenever Bryan Tank's Emcee graces the stage - "graces" being a somewhat incorrect term, as it's the actor's unflinching commitment to his character's blatantly sexual nature that's so engaging. With his impressive German accent and convincing characterization of unabashed debauchery, Tank punctuates the beguilement of his Emcee by way of sexual gestures that seemed to titillate Thursday's preview-performance audience, at least judging by the large amounts of laughter mixed with amused shock. (This was most notable during the threesome pelvic thrusts and other dance steps in Cabaret's "Two Ladies" number, one of several deliciously bawdy pieces choreographed by Emma Williams.)

Megan Elliott, Linell Ferguson, Wendy Czekalski, Sara Laufer, and Kris Preston in Hard to Believe"I think Playcrafters has traditionally had the reputation of being a stodgy old theatre that only does six comedies a year," says Tom Morrow, a frequent actor and director for Moline's venerable Barn Theatre. "And admittedly, we do a lot of comedies. But every once in a while, we try to stick our necks out and do something else."

That they do. In addition to the titles produced in conjunction with Playcrafters' 2009 "Diversity Initiative" - Lorraine Hansberry's A Raisin in the Sun and August Wilson's Fences - other recent "something else"s have included 2005's Altar Call, a debuting, religiously themed drama written by local playwright Melissa McBain, and 2008's Promises, Promises, one of only a handful of musicals the theatre has produced during its 81-year history.

And on September 10, the Playcrafters Barn Theatre will actually present something of a blend of these latter two works - a debuting, religiously themed musical - when it premieres Hard to Believe, a song-filled re-telling of the Biblical story of Job, directed by Morrow, and written and composed by Tim Stoller and Jonathan Turner. Previously staged, in workshop form, at Rock Island's defunct Green Room Theatre in 2008 and Davenport's Zion Lutheran Church in 2009, Turner says that "the whole theme of the show is about the challenges of faith, and maintaining your faith in the face of all this tragedy."

Meghan Hakes, Lori Dansby, and Joshua Estrada in Chicago All things considered, Friday night's presentation of Chicago at the Clinton Area Showboat Theatre was pretty darned impressive.

Mel Johnson Jr.Though a familiar television presence through such series as The Practice, The Fresh Prince of Bel-Air, and Star Trek: Deep Space Nine - in which the actor played the Cardassian Broca in the program's final two episodes - Mel Johnson Jr. is primarily a stage actor, with more than 30 years of professional credits on Broadway, off-Broadway, and in regional theatres and touring productions across America; most recently, he portrayed Hoke Colburn in an acclaimed presentation for Hartford TheatreWorks of Driving Miss Daisy (which the New York Times called "a splendid 20th-anniversary revival").

Cassandra Marie Nuss & Jay BerkowThere are a number of fascinating and entertaining elements in the Clinton Area Showboat Theatre's production of Cabaret. But at the show's opening-night performance last Thursday, what fascinated and entertained me most was watching how Cabaret's thematic storyline was being unwittingly enacted by Cabaret's audience.

Catherine Zeta-Jones in ChicagoCHICAGO

Rob Marshall's film version of the Broadway smash Chicago is so ingeniously staged, so electric, and so welcome to so many of us - The Musical Is Back! - that you might find yourself somewhat heartbroken when you barely remember a thing about the film a day after seeing it.