Alison Scherer and ensemble members in Children of Eden Describing the Countryside Community Theatre's Children of Eden as a first-rate Sunday-school pageant may sound like a backhanded compliment, if not an actual insult. But that's exactly what this presentation of the Stephen Schwartz and John Caird musical feels like, and the description isn't meant to be the least bit insulting.

Katie McCarthy and Ben Webb in The Fantasticks About a half hour into Augustana College's opening-night presentation of the deservedly beloved musical romance The Fantasticks, Brian Bengtson made his first appearance as the aging ham Henry, and I can't recall the last time I was so relieved to see an actor on stage.

Tom Stoppard's The Real Inspector Hound concerns theatre critics who wind up personally involved in the thriller they're reviewing, which puts me in the position of being a theatre critic critiquing a play about theatre critics critiquing a play. Stoppard must love this.

In the realm of educational theatre, the rehearsal process for a main-stage show generally lasts several weeks, if not months. It can

be hard work. Yet if the selected material gives actors and directors enough to work with, what could be a laborious process is, for its participants, more often a joy.