15
Aug
2007
The difficulty in reviewing Smokey's Joe's Café, the Timber Lake Playhouse's season-closing musical, doesn't lie in knowing how to start, but when to stop. A plotless assemblage of '50s and '60s rock & roll hits, bluesy love songs, and novelty tunes by composers Jerry Leiber and Mike Stoller, this jukebox revue finds its nine-person cast performing nearly three dozen numbers, and based on their presentation here, I could make a fair case for devoting 500 words to each of them.
You might think it odd that, for its penultimate summer production, the Timber Lake Playhouse is staging Irving Berlin's White Christmas, thereby celebrating the holiday season a good two or three months before the malls will. But the actual presentation turns out to be stranger still. Not only are you getting White Christmas here, you're getting three or four different White Christmases; the results aren't bad, necessarily, but the show winds up feeling a bit like the Bing Crosby classic as co-directed by Michael Curtiz, Tommy Tune, and Rip Taylor.
On Friday night, I attended a comedic farce that featured slamming doors, mistaken identities, gunshots, an unhelpful cop, a heavily accented mobster, an attractive woman getting sloppy drunk, and a finale that found characters staring with amazement at a briefcase filled with cash.
The Timber Lake Playhouse's production of Bat Boy the Musical features a cast of 15 playing some two dozen characters, more than a fifth of whom will be dead by the curtain call. Necks are bitten, throats are slashed, overdoses are administered, and through it all, Bat Boy's performers look as though they couldn't possibly be having more fun. En masse, Timber Lake's ensemble just might compose the happiest musical cast I've seen all year, and considering the material they're working with, and the director they're working for, how could they be anything less?
