For pianist Jonathan Turner, "It's a really unique kind of entertainment experience in the area. There isn't really anything like it."
For performer Korah Winn, "It's kind of like if you take the best play you've ever been in, with the best cast, with the best audience, and you get to do that once every month."
Producer/writer/musician Mike Romkey, however, has a slightly different take: "It's kind of like a local Prairie Home Companion ... but not in a way that would get us sued."
It's doubtful anyone needs to be told that launching a new theatre company - particularly in an area already rife with theatre companies - can be a risky venture, which is likely why Quad Cities-based organizations have tended to debut with relatively low-risk offerings. In 2008, the Harrison Hilltop Theatre chose to stage, as its first production, David Auburn's intimate, four-character drama Proof; a week later, the Curtainbox Theatre Company arrived on the scene with Three Viewings, a trio of Jeffrey Hatcher monologues.
New Ground Theatre's Living Here is composed of five one-acts by local playwrights, each one set in the Quad Cities, and I applaud New Ground's decision to stage this showcase for local talent; the production as a whole is more than inspiring, it's important, and the efforts of these theatrical artisans deserve to be seen.
After attending the New Ground Theatre's production of Jacob Marley's Christmas Carol, I wasn't much surprised to learn that Tom Mula's play has been broadcast on NPR numerous times now; a dramatization of Charles Dickens' Christmas Carol story through Marley's point-of-view, the show, with its blend of performance and frequent narration, seems tailor-made for radio. What I can't understand, though - at least based on New Ground's presentation - is what makes it a good fit for the stage.
Lee Blessing's The Winning Streak, currently at Davenport's Nighswander Theatre, is one of those shows that could easily read better than it plays.
In Lee Blessing's The Winning Streak, the locale is left unspecified; the only information the Tony Award-nominated playwright gives us is that the events transpire in "a city in the Midwest." But audiences can be forgiven for thinking there's nothing unspecified about it.
