Josh Brolin in W.W.

I'm not exactly sure what kind of movie Oliver Stone's W. is trying to be, but that just makes it easier to appreciate it for what it is: A terrifically entertaining political comedy (with tragic undertones) that plays a bit like a sequel to Hal Ashby's 1979 Being There, in which a series of borderline-ludicrous circumstances find a friendly, well-meaning simpleton elected commander-in-chief. Now what?

Russell Crowe and Leonardo DiCaprio in Body of LiesBODY OF LIES

I learned recently that Russell Crowe gained 50 pounds for his role in Ridley Scott's action-thriller Body of Lies. To which I reply: For this role? Seriously?

The Incredible HulkTHE INCREDIBLE HULK

Up until its final reel, when the movie lapses into a tiresome big-screen adaptation of Rock 'Em Sock 'Em Robots, The Incredible Hulk is a pretty entertaining superhero blockbuster, in large part because it doesn't much feel like a typical superhero blockbuster.

Leonardo DiCaprio and Jack Nicholson in The DepartedTHE DEPARTED

Because Martin Scorsese's internal-affairs thriller The Departed is so colossally entertaining, so brimming with performance and filmmaking craft, I may as well get its major failing out of the way right off the bat: What the hell is Jack Nicholson doing here?

Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven's Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn't have a lot else going for it.

Simon Pegg and Nick Frost in Shaun of the DeadSHAUN OF THE DEAD, THE GRUDGE, and SAW

Halloween has come and gone, but three horror flicks are currently in theaters and - surprise! - two of them are actually good.

Finding NemoFINDING NEMO

Fish, by nature, aren't the most expressive of species, but try telling that to the loopy geniuses at Pixar. In the studio's latest computer-animated adventure, Finding Nemo, director Andrew Stanton, his wizardly animators, and the vocal talent contribute such breathtaking life and range of emotion to sea dwellers that you leave the movie dizzy with happiness.

Jennifer Aniston and Mark Wahlberg in Rock StarROCK STAR and THE MUSKETEER

If you were to guess based solely on their previews, you'd probably imagine Stephen Herek's Rock Star to be a kitschy, affectionate look at heavy metal in the '80s - like This Is Spinal Tap played straight - and Peter Hyams' The Musketeer to be a brisk reinterpretation of the Alexandre Dumas classic with a martial-arts bent - Crouching Tiger, Hidden D'Artagnan.

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