Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.

Jamie Fozz, Jessica Biel, and Josh Lucas in StealthSTEALTH

If you can love a movie, and hate a movie, I guess there's no reason you can't feel sorry for a movie, and boy, does my heart go out to Stealth. It's the kind of dear, sad little flick that makes you want to pat it on the head and whisper, "It's okay, it'll all be over soon ... They'll make fun of you for two weeks and then no one will even remember your name."

Ethan Hawke and Julie Delpy in Before SunsetBEFORE SUNSET

Richard Linklater has directed some marvelous films in the past - particularly Dazed & Confused, The School of Rock, and (his best work until now) 1995's Before Sunrise - but he has never created one as stunningly, ravishingly alive as Before Sunset.