Paul Giamatti and Thomas Haden Church in SidewaysSIDEWAYS

Alexander Payne's Sideways is so chockfull of good humor and emotional accuracy that you leave the theater overwhelmed and a bit giddy; it feels like a movie that you, alone, discovered, and want to share with friends immediately.

The Matrix ReloadedTHE MATRIX RELOADED

"Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams."

- Plot outline for The Matrix Reloaded, as seen on the Internet Movie Database

Boy, that sure sounds simple, doesn't it?

Barry Pepper, Edward Norton, and Philip Seymour Hoffman in 25th Hour25TH HOUR

I wish my schedule had allowed me to catch Spike Lee's 25th Hour sooner, as I would have happily spent the last two weeks extolling its merits to everyone I saw. (It ends its run at the Quad Cities Brew & View on April 17.) The film, wherein a convicted drug dealer (Edward Norton) spends his last free day in New York tying up loose ends among family and friends, is probably Lee's most passionate, exemplary work since 1989's Do the Right Thing. Though the movie showcases Lee's trademark anger, profane humor, and uncommon vibrancy, what sets the film apart from his usual fare is its sadness; it has an aura of melancholy that keeps the director's more bombastic impulses in check. (He even pulls off a beauty of a lullaby ending, one which, in lesser lands, could have been disastrous.)

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn't feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.

Julianne Moore and Dennis Haysbert in Far from HeavenFAR FROM HEAVEN and THE PIANIST

While huge movie markets such as New York and L.A. had to content themselves with only one major new release this past weekend - Cradle 2 the Grave, featuring the long-awaited pairing of Jet Li and Tom Arnold - we're being treated to the area debuts of Far from Heaven and The Pianist, two of 2002's greatest achievements and the recipients of 11 Oscar nominations between them. Both movies are so good that it's almost churlish to recommend one over the over - by all means see both - but if pressed, I gotta give the edge to Todd Haynes' Far from Heaven, which is unlike anything I've ever seen before.

Meryl Streep and Ed Harris in The HoursTHE HOURS

Stephen Daldry's The Hours is so meticulously crafted, so assured in its conception, and so insistent on its themes and motifs that it's bound to drive a lot of people bananas.