Ben Stiller and Owen Wilson in Starsky & HutchSTARSKY & HUTCH

In various projects over the years, Ben Stiller and Owen Wilson have repeatedly proven their talents in writing, directing, and performing, yet if they were to trash all their other aspirations and simply make one deliriously dumbass comedy together per year, I, for one, wouldn't mind in the slightest.

Winged MigrationWINGED M IGRATION

At the beginning of Jacques Perrin's documentary Winged Migration, even before the title has appeared, we are informed that the film took more than four years to complete, that it required near-global group participation, and that "no special-effects shots were employed in the making of this film." It seems like an overly grandiose introduction until you actually see the movie. For Winged Migration, currently playing at the Brew & View, is an absolutely astounding experience, a visually breathtaking work that is also more pure fun than just about anything in current release.

Asia Argento and Vin Diesel in XXXXXX

Put simply, Vin Diesel's action thriller XXX, directed by The Fast and the Furious helmer, Rob Cohen, succeeds competently at its intentions, which are to make a loud, ass-kicking, summertime blockbuster and kickstart a new, James-Bond-playing-extreme-sports movie franchise.

Will Smith and Tommy Lee Jones in Men in Black IIMEN IN BLACK II

I'm not sure how much there is to say about Men in Black II, director Barry Sonnenfeld's sequel to his sci-fi/comedy smash. There's always something to look at, Will Smith and Tommy Lee Jones provide the occasional flash of dry wit, and it's all over blessedly fast - the movie runs some 85 minutes with end credits, and you wouldn't want it to last a minute longer.

Jim Broadbent and Judi Dench in IrisIRIS

Allow me a moment, if you will, to thank the folks at Moline's Nova 6 Cinemas for their continued efforts at occasionally booking more offbeat cinematic fare than the multiplex standard.

Gosford ParkGOSFORD PARK

In Robert Altman's Gosford Park, set in 1932 England, a group of well-to-do guests is invited to a country estate for a shooting party, with their numerous servants in tow, and find their weekend disrupted by the murder of their host.

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that's what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That's why his performance as the physically and emotionally scarred teacher in last year's imbecilic tearjerker Pay It Forward was so disappointing; he's not built for sentiment, and his presence in that mopey role merely exposed the film's schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can't figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it's a case study in how the right director and performers can redeem mostly worthless material.