29
Jul
2013
This year's end-of-season Greek comedy by Genesius Guild, The Acharnians, is high on political humor, musical numbers, and sharply funny barbs at the expense of local organizations - especially Genesis Health System and Trinity Regional Health System (now UnityPoint Health) - and the cities of Moline, Davenport, and Rock Island. And I was smiling from ear to ear during almost the entirety of Saturday's performance, tickled by the clever jokes, amusing songs, and even the groan-worthy puns.
Over the years, Davenport's New Ground Theatre has prided itself on the presentation of new works by emerging authors. But this year, even Artistic Director Chris Jansen is shocked to find the company not only producing eight new works in a season, but eight new works - the majority of them by local authors - over a two-night span.
Following Saturday's presentation of Thesmophoriazusae - this summer's annual Genesius Guild send-up of an ancient-Greek comedy - I had the chance to say hi to its adaptor/director, Don Wooten. I congratulated the Guild founder on the sensationally silly 75 minutes that he and his cast had just delivered, and during our conversation, another patron came up to Wooten and told him that this Aristophanes goof was the most enjoyable season-ender she'd seen in decades.
The Prenzie Players' presentation of Euripides' The Trojan Women, adapted by Richard Lattimore, runs just over an hour, and I can't imagine who would want it to last longer than that. There's so much anguish and grief on display, and the material appears so deeply felt by director Jill Sullivan-Bennin's cast, that the production leaves you not just haunted, but shaken; it's questionable whether either the actors or the audience could endure two hours of such extreme emotional states.
As Ouiser Boudreaux, the easily agitated Southern matriarch with the permanently fixed scowl and "more money than God," Dee Canfield enters the Green Room Theatre's production of Steel Magnolias as though shot through a cannon.
