a scene from Ballet Quad Cities' 2008 production of The NutcrackerOn December 12 and 13, area audiences will have the opportunity to attend two separate productions of composer Pyotr Ilyich Tchaikovsky's The Nutcracker: one performed by the professional dancers of Ballet Quad Cities (plus a few local performers), one performed by the student performers of RiverPointBallet (plus a professional dancer). And Ballet Quad Cities' Executive Director Joedy Cook is up-front about a large part of the holiday favorite's appeal: "For all ballet companies, Nutcracker is what really helps pay their bills. Nutcracker is the one ballet that you can count on to get an audience."

Yet as Cook well knows, that's not the reason that audiences themselves flock to The Nutcracker year after year. "It's truly the most recognizable music in the world," she says, "and that's because it's magical. And The Nutcracker itself is magical. It's magic, it's dreamy ... it's 'Calgon! Take me away!'"

Jake Lyon and Iona Newell in Romeo and Juliest in the 21st Century For choreographers, inspiration can sometimes come from a story, or a theme, or a series of dance moves. For Ballet Quad Cities' Margaret Huling, who makes her professional choreographic debut with the upcoming Configurations, it came from Tchaikovsky - specifically, the First Movement of the composer's Piano Trio in A Minor, Opus 50.

"I was kind of fighting with myself over what I wanted to do," says Huling, "and I kept coming back to the First Movement. It's music that really inspires me."

Yet choreographic inspiration can also come from the inspiration of others, as Ballet Quad Cities' Associate Director Courtney Lyon discovered in the course of re-staging original choreographer Johanne Jakhelln's Romeo & Juliet in the 21st Century.

Domingo Rubio in Ballet Quad Cities' DraculaDomingo Rubio, the Mexico City-based dancer currently performing with Ballet Quad Cities, is discussing his American breakthrough in 1999.

"I was with a Mexican company dancing in Los Angeles," he says, "and Gerald Arpino [artistic director of Chicago's Joffrey Ballet], he saw me dancing at my fullest. You know, I was doing big, big roles ... everything that you could do without fainting. And stuff choreographed by me - things that would suit myself. He saw those performances and wanted me for his company.

"So even though I was 33," he continues, "which is, you know, an age that you could quit, I started with Joffrey."

Thirty-three?

"It was like a good second wind," says Rubio. "I started late, and I've been catching up."

When Ballet Quad Cities Executive Director Joedy Cook was looking for a new artistic director earlier this year, she quickly rejected Steve Beirens.

"I would get all these résumés," says Cook of her search to replace Matthew Keefe, the company's artistic director for the 2006-7 season. "And I'd watch the DVDs they sent, and I would have all these little piles. And Steve went into this 'no' pile."

Ballet Quad Cities

Founded in 1996, Ballet Quad Cities is a professional dance company. Steve Beirens is the artistic director.

Upcoming productions include :

Ballet Under the Stars, August 17 through 19 at Rock Island's Lincoln Park.

• A ballet of Dracula, presented with Opera Quad Cities' production of Medium October 20 and 21 at the Capitol Theatre in downtown Davenport.

Ballet Quad Cities' Jason Gomez, Jake Lyon, Margaret Huling, and Colin ClaypoolTurn-of-the-20th-Century Davenport - its riverfront Bucktown area rife with saloons, speakeasys, and brothels - was, in its time, widely considered "the wickedest city in America." But Ballet Quad Cities' Matthew Keefe found a description he likes even more.

"There's a quote from the period," says Keefe, "that goes, 'If God has forsaken Chicago, he's never even visited Davenport, Iowa."

Matthew KeefeIn the wake of Artistic Director Johanne Jakhelln's departure from Ballet Quad Cities after nine seasons, Executive Director Joedy Cook found a replacement in Minneapolis-based Matthew Keefe, who first worked with Cook and Ballet Quad Cities eight years ago. "I just started calling my friends in the dance world," says Cook, "and Matthew was one of the first people I called."

Arriving in the Quad Cities on August 23, Keefe was immediately put to work, with auditions for Ballet Quad Cities' winter performance of The Nutcracker the following evening; forthcoming projects for Keefe include a springtime collaboration between Ballet Quad Cities and the Quad City Symphony Orchestra (March 3 and 4, 2007), an original, one-act ballet based on F. Scott Fitzgerald's The Great Gatsby (dates to be determined), and the upcoming Ballet Rocks II, being held at Davenport's Capitol Theatre October 6 through 8.

The Diary of Anne Frank is practically synonymous with the Holocaust. For this reason, Alan Ross, executive director of the Jewish Federation of the Quad Cities, asked Ballet Quad Cities to create a dance based on the book as part of the community project "Beyond the Holocaust: Lessons for Today."
With only one exception, the home of The Nutcracker in the Quad Cities has been the Capitol Theatre in downtown Davenport. "We love it there," said Joedy Cook, executive director of Ballet Quad Cities, the company that puts on the annual holiday production.

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