18 Apr 2006

Spiking Your Own Drink: St. Ambrose University's Corinne Johnson

By Mike Schulz
"There's something about being in a live theatre," says St. Ambrose University Professor of Theatre Corinne Johnson, "and experiencing that moment with the actors and, maybe more importantly, with the audience.
28 Mar 2006

Many Ways to Skin a "Cats": Dennis Hitchcock Discusses Circa '21's Latest Musical

By Mike Schulz
Author's note: Prior to my full-time tenure at the Reader, I worked at the Circa '21 Dinner Playhouse, and for Dennis Hitchcock, for 11 years. This was one of those rare interviews that didn't start with a handshake, but rather a hug.
21 Mar 2006

The Not-So-Final Curtain: Iowa City's Dreamwell Theatre

By Audra Beals

After the most successful nine-month run that Iowa City's Dreamwell Theatre has ever seen, this sm

all company - which has long performed on borrowed stages and only recently secured a space of its own - is homeless once more.

21 Mar 2006

You're Not Just for Kids, "Charlie Brown": Music Guild Takes On Charles M. Schulz

By Mike Schulz
The comic-strip world of Charles M. Schulz's "Peanuts" characters has long delighted children, and the original, 1967 production of the musical You're A Good Man, Charlie Brown - with its cheerful tunes and hummable score - has long been a staple for young performers, having been consistently produced in high schools, middle schools, and even elementary schools across the country.
28 Feb 2006

The Power of the Witness

By Mike Schulz
The idea started with a traffic jam. "This was two years ago," says local poet and storyteller Shellie Moore Guy, regarding the origin of her domestic-abuse performance piece Healing Waters: I Will Carry My Sister's Pain.
14 Feb 2006

Communications Expert: Dave Bonde Directs "A Lie of the Mind" for St. Ambrose

By Mike Schulz

Like many who wind up pursuing a life in the theatre, Camanche, Iowa, native Dave Bonde never intended to; his plan was to secure a B.A. in Mass Communication. Yet after appearing in his first theatrical production at St. Ambrose University in 1991, Bonde found himself hooked by the allure of the stage, partly because of its connection to his own field of study.

13 Dec 2005

There's No Business Like Reviewing-the-Shows Business

By Mike Schulz

How wonderful and humbling the last eight months have been.

29 Nov 2005

A Brand-New Take on a Familiar "Carol"

By Mike Schulz
When you hear director Kevin Pieper describe the Quad City Music Guild's production of A Christmas Carol as "a new show to the area," it's easy to be skeptical. Haven't we already seen this holiday chestnut - and in this area, no less - more times than we can count? (Hell, I've been in it twice since 1994.)
15 Nov 2005

Flying Solo: Adam Michael Lewis in "The Santaland Diaries"

By Mike Schulz
For many stage actors, the chance to perform a one-person show would be a dream come true. For Adam Michael Lewis, this dream has come true, but not, it turns out, for the first time. Or the second. Or even the third.
08 Nov 2005

Making Fiction Out of Fact: New Ground Theatre's "Promise Ring"

By Mike Schulz
It's no newsflash that playwrights often find inspiration in their personal pasts, and use young leading characters as theatrical alter egos; if you want to better understand Tennessee Williams, listen to Tom's monologues in The Glass Menagerie, or watch Edmund's scenes in Long Day's Journey into Night for greater insight into Eugene O'Neill.

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