The comic-strip world of Charles M. Schulz's "Peanuts" characters has long delighted children, and the original, 1967 production of the musical You're A Good Man, Charlie Brown - with its cheerful tunes and hummable score - has long been a staple for young performers, having been consistently produced in high schools, middle schools, and even elementary schools across the country.
The idea started with a traffic jam. "This was two years ago," says local poet and storyteller Shellie Moore Guy, regarding the origin of her domestic-abuse performance piece Healing Waters: I Will Carry My Sister's Pain.

Like many who wind up pursuing a life in the theatre, Camanche, Iowa, native Dave Bonde never intended to; his plan was to secure a B.A. in Mass Communication. Yet after appearing in his first theatrical production at St. Ambrose University in 1991, Bonde found himself hooked by the allure of the stage, partly because of its connection to his own field of study.

How wonderful and humbling the last eight months have been.

When you hear director Kevin Pieper describe the Quad City Music Guild's production of A Christmas Carol as "a new show to the area," it's easy to be skeptical. Haven't we already seen this holiday chestnut - and in this area, no less - more times than we can count? (Hell, I've been in it twice since 1994.)
For many stage actors, the chance to perform a one-person show would be a dream come true. For Adam Michael Lewis, this dream has come true, but not, it turns out, for the first time. Or the second. Or even the third.
It's no newsflash that playwrights often find inspiration in their personal pasts, and use young leading characters as theatrical alter egos; if you want to better understand Tennessee Williams, listen to Tom's monologues in The Glass Menagerie, or watch Edmund's scenes in Long Day's Journey into Night for greater insight into Eugene O'Neill.
What makes the blood of most stage performers run cold? Seeing the first audience on opening night? Hearing silence after delivering supposedly hilarious dialogue? Knowing there's a critic in the house? Well, yes, yes, and yes.

For students at Davenport's St. Ambrose University, the end of summer brings with it the usual. Buying books. Attending classes. Preparing for Urinetown.

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described "Junior Theatre kid," and has the pictures to prove it. She thinks.

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