Aesop's Dynamic Duo - the Circa '21 Dinner Playhouse's new family musical - focuses on several of the renowned storyteller's famous characters, and one of its first songs is entitled "The Boy Who Cried Wolf." Bret Churchill plays The Boy, and the actor, with his usual exuberance and vigor, begins the number with: "I'm the Boy Who Cried Wolf / I'm the one who frightened the town / I told them the story / And, boy, it was gory / I told them the wolf ate / the Smith's Bassett hound."

A Midsummer Night's Dream at the Rock Island Masonic Temple

Theatre audiences are often witness to romance and, with the right director and performers, occasionally even to true love on stage. Yet it's rare to find passion and even rarer to witness carnality, two qualities that the Prenzie Players present in abundance in their juicy new production of A Midsummer Night's Dream at the Rock Island Masonic Temple.

At roughly the halfway point of Richard Dresser's two-man comedy Rounding Third - currently playing at the Playcrafters Barn Theatre - Michael (Jim Driscoll), a sweet-tempered assistant Little League coach, asks the team's boisterous head coach, Don (Fred Harris Jr.), if they might enjoy a moment of silence; Michael and Don have shared a continual, often exasperated dialogue over several weeks of team play, and Michael wonders if perhaps quiet would be preferable to jabber. "Oh no," says Don. "We don't know each other well enough to not talk."

Let me preface my review of the Richmond Hill Players' The Sunshine Boys by saying that if the material itself makes you laugh, you may well be a fan of this production, and at Thursday's opening-night performance, there were quite a few laughers among us.