I admit that at Saturday’s opening-night performance, I was initially confused when Genesius Guild's Andy Shearouse explained both the entire plot of William Shakespeare’s Love’s Labour’s Lost and that the set was designed to represent the inner workings of a broken cuckoo clock. One might think both concepts would be self-explanatory. But alas, they were not. In the end, I was grateful for the introductory explanation.

The perfectly suited look and demeanor of each person, and their consistent Southern lilts throughout, made this experience particularly magical.

I enjoy experiencing new-to-me talent, but it’s cozy and comforting to see familiar faces at the theatre.

Fiddler on the Roof is often considered one of the final entries in the Golden Age of Broadway era, a period defined by sweeping scores, big ensembles, and stories rooted deeply in character and community. Director Georgette Kleier’s production checks nearly every one of those boxes handily.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Kitty: I think that Godspell is a highly underrated musical. It’s the secret, more heartfelt version of Jesus Christ Superstar.

Mischa: And without Andrew Lloyd Webber’s malevolent influence!

Pairing up with Opera Quad Cities proves to be a recipe for greatness at the Black Box Theatre, because make no mistake: There's something truly special about Master Class.

You should see the groundbreaking comedy classic The Skin of Our Teeth at Augustana College. I’ll explain why in a moment, while also trying not to ruin your experience with too many details. But just by reviewing director Jeff Coussens' perfectly cast production, I will be spoiling it a bit.

A Year with Frog & Toad is overflowing with cheer and color, boasts splendid production values and an energetic cast, and I declare it delightful for all ages.

Kitty: Jeramie Coleman’s charm was a wonderful contrast to Antonio Stone’s severity. Watching the two of them clash so fiercely was riveting.

Mischa: For sure. And there was a third actor, Dwayne Hodges, who provided a big contrast to both Stone and Coleman, but delivered an equally compelling performance.

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