Nostalgia has a funny way of raising the stakes. A mediocre presentation wouldn’t just be disappointing; it would feel like someone had replaced my ruby slippers with muddy boots and then trounced all over my childhood memories. Thankfully, director Tony Parise’s production bursts to life with color, imagination, and obvious affection for the material.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Under the music direction of Rachel Young (who also conducts and plays keys in the superb five-person orchestra), and with the performers' individual vocal prowess unmistakable, the Showboat's acting ensemble sounds tremendous – easily matching, and occasionally bettering, the vocals of the Broadway cast.

Background characters essayed by day players. Casts of thousands. Movies are crawlin’ with ’em. Nobody much cared about the usually unnamed souls who were rarely part of the plot, and they still don’t. But Puffs, a boy-wizard spoof subtitled Seven Increasingly Eventful Years at a Certain School of Magic & Magic, shines a spotlight on them (without casting “lumos,” because that’s a proprietary spell).

Yes, there is a competition with eliminations and a winner to be determined. But the real fun comes from watching these kids interact. The show is carried by character moments, and this cast delivers plenty of them.

Director Pam Cantrell, her cast, and her crew served this entertaining concoction (yes, there are funny bits) with seven of Poe’s stories as ingredients.

Right from the top, the Spotlight Theatre becomes immersive with the citizens of Arendelle positioned throughout the house. Music Director Randin Letendre keeps the sound pure and exactly what audiences expect with some lovely harmonies.

Kitty: Before the show started, Tommy Ranieri, the Timber Lake Playhouse's artistic director, asked the audience for a show of hands: Who had seen Hands on a Hardbody on stage before?

Mischa: And no one had. He was clearly making the point that this show is not so well known to the general public. And really, the premise seems a little dubious for a stage musical.

Director Michael Callahan is credited as writer, but as he explained before Saturday’s opening performance, the script evolved with a workshop-style model, with the whole cast participating in the writing. That’s likely why this production is one of the funniest season-enders I’ve seen.

Featuring lyrics by Nell Benjamin, a book by Tina Fey, and music by Jeff Richmond (Fey’s husband), and boasting the exemplary direction (plus choreography and costume design) by Ashley Becher, Mean Girls is sure to put a smile on your face and give you a reason to beat the heat.

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