This Rodgers and Hammerstein classic is another one of those shows that I appreciate, but am not necessarily a huge fan of. However, after attending the Saturday matinėe of the Timber Lake Playhouse’s production, the musical grew on me. It was a touching, endearing, and eventually somber theatre experience.

If you’re finding yourself sick of the heat and air-quality alerts of 2023, then boy oh boy does Countryside Community Theatre have a cool '80s throwback treat for you: their current production of Footloose.

Director Dee Canfield and assistant director Mischa Hooker are accomplished actors, and know this stage, the material, and this mythos very well. They've assembled a fine production – one absorbing and enjoyable for everyone, whether you're a Greek geek or not.

As the second professional production of the Clinton Area Showboat Theatre’s summer season, Young Frankenstein delivered a show of monstrously impressive proportions.

My exposure to Alfred Hitchcock's work has been fairly minimal, and aside from seeing a few clips, my total time spent with his films is close to zero. But several years ago, I did attend a stage version of Hitchcock's movie The 39 Steps, a play adapted by Patrick Barlow from John Bucan’s novel. And this past Friday, I caught in another in director James Beaudry's Timber Lake Playhouse’s production, which was largely a fun romp in the woods.

Over the past few years, I have taken in quite a number of Genesius Guild offerings and I have to tell you that the Two Gentlemen of Verona set design by Angela Rathman, who also served as this production’s director, was one of the most intricate and prettiest I’ve ever seen in Lincoln Park.

Who doesn’t hate Mondays? Garfield the cat sure does, but there’s nothing to hate about the Circa '21 Dinner Playhouse's latest children’s-theatre offering Garfield: The Musical with Cattitude.

I'd been wanting to see author Diana Son's Stop Kiss, which made its off-Broadway debut in 1998, ever since I missed it locally (twice!) – at St. Ambrose University in 2008, and Augustana College in 2017. Therefore, I took my seat on Saturday at the Playcrafters Barn Theatre with anticipation, and director Erika Seabloom, an Ambrose graduate, has assembled many talents to create a polished, satisfying production.

Led by director Dana Skiles, Saturday's performance was polished, entertaining, and high-quality. The intensity of the scenes, practical and special effects, stage combat, and dark humor are all things that probably proved a challenge, but Richmond Hill’s presentation rose to the occasion and delivered these elements without misery. In fact, the experience overall was quite the opposite of miserable.

As a Broadway classic, Hello, Dolly! is one musical I’ve always known about but have never actually seen. Director Lora Adams’ Black Box Theatre production, meanwhile, is a lighthearted tale that enchants from start to finish, so unless you’re a certified fun-hater, I can’t think of anyone who wouldn’t enjoy this show.

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