Rather than trying to explain discomfort away, director Cait Bodenbender embraced the play's history by simply casting as Shakespeare himself did: with an all-male cast.

Do I have any interest in hiking the Appalachian Trail? Absolutely not. Do I want to hear about the 67-year-old who was the first woman to hike the entire trail solo? Absolutely. And trust me, so do you.

While many children attended on opening night, I hardly heard a peep from them during the show – it was the over-25 crowd who were clapping and screaming upon each first entrance of these beloved characters from the underwater city of Bikini Bottom.

Though the show is billed as a comedy, I only laughed a few times. I was much more invested in its dramatic scenes.

Nostalgia has a funny way of raising the stakes. A mediocre presentation wouldn’t just be disappointing; it would feel like someone had replaced my ruby slippers with muddy boots and then trounced all over my childhood memories. Thankfully, director Tony Parise’s production bursts to life with color, imagination, and obvious affection for the material.

Before Friday night at Eldridge's North Scott High School Fine Arts Auditorium, I hadn’t seen Guys & Dolls. Go on and clutch those poils, doll. I do not know the show. So sue me. But I had a swell time. In spades!

Seussical, now playing at Omar – I mean, the Clinton Area Showboat Theatre – features an exuberant mash-up of plots from about a third of Theodor Seuss Geisel’s lifetime output of 60-plus children’s books. (And yeah, there were more Dr. Seuss books after he died. Peculiar thing, that.)

When I entered the Timber Lake Playhouse for its July 3 opening night of Cabaret and saw the stage draped with a gold foil fringe curtain and framed in marquee bulbs with a glowing red “KIT KAT KLUB” sign, the atmosphere felt equal parts seductive, artificial, and just a little bit unsettling.

Genesius Guild’s current production of Antigone, directed by Michael Callahan, is the Guild’s annual high school show and features a cast of almost all teenagers – appropriate, considering that so many of the key characters, including the titular Antigone, are teenagers themselves.

There's no point in burying the lede on this: The Timber Lake Playhouse's Les Misérables is the most visually powerful, thunderously well-performed area production I've seen since my first published stage review debuted in 2005, and even since I first arrived in the Quad Cities for college in 1986.

Pages