Before Friday night at Eldridge's North Scott High School Fine Arts Auditorium, I hadn’t seen Guys & Dolls. Go on and clutch those poils, doll. I do not know the show. So sue me. But I had a swell time. In spades!

Seussical, now playing at Omar – I mean, the Clinton Area Showboat Theatre – features an exuberant mash-up of plots from about a third of Theodor Seuss Geisel’s lifetime output of 60-plus children’s books. (And yeah, there were more Dr. Seuss books after he died. Peculiar thing, that.)

When I entered the Timber Lake Playhouse for its July 3 opening night of Cabaret and saw the stage draped with a gold foil fringe curtain and framed in marquee bulbs with a glowing red “KIT KAT KLUB” sign, the atmosphere felt equal parts seductive, artificial, and just a little bit unsettling.

Genesius Guild’s current production of Antigone, directed by Michael Callahan, is the Guild’s annual high school show and features a cast of almost all teenagers – appropriate, considering that so many of the key characters, including the titular Antigone, are teenagers themselves.

Magic is on display in Quad City Music Guild's and director Kathryn Weber's current, spirited presentation of 1776, its music direction by Claire Schaecher and choreography by Beth Marsoun. (And I hear the intermission hot dogs are terrific.)

John Glore’s theatrical adaptation preserves the witty, slightly dark sensibility that made the book so beloved by youth and adults alike, and as directed by Jennifer Hoeper, the Playcrafters Barn Theatre's presentation combines adults and children to bring these fractured fairy tales to life.

This past Thursday, after a full week of unseasonably hot, muggy weather, we were finally treated to an evening that was cool and breezy. I'm prone to credit the Clinton Area Showboat Theatre's Guys & Dolls for the atmospheric shift, because as season-opening presentations go, this one was as cool and breezy as they come.

Because The Shark Is Broken is an insider look at the making of Jaws, it seems both fitting and somewhat ironic that the play and movie share the same villain.

There's no point in burying the lede on this: The Timber Lake Playhouse's Les Misérables is the most visually powerful, thunderously well-performed area production I've seen since my first published stage review debuted in 2005, and even since I first arrived in the Quad Cities for college in 1986.

Adam Sanders' production has some of the most intricate, varied, prolonged, high-density, high-energy choreography I’ve yet seen.

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