Cait Bodenbender and Aaron E. Sullivan in Much Ado About NothingWith the current Much Ado About Nothing, I've now attended 10 presentations by the classical-theatre troupe the Prenzie Players, and perhaps fittingly, it's maybe the most sheerly Prenzie Prenzie production I've yet seen.

The Prenzie Players' Much Ado About NothingThe Quad Cities' spring theatre season will be bookended by Shakespeare, with the March 6 opening of Much Ado About Nothing, and Sophocles, with the May 28 debut of Oedipus Rex. But just because these plays are, respectively, more than 400 and 2,400 years old, it probably isn't wise to enter them expecting the expected. This Sophocles, after all, is subtitled The Audacity of Oed, and this Shakespeare is being staged by the Prenzie Players, so in both works, you may as well expect anything to happen; considering our lineup also features titles by Stephen Sondheim, Neil Simon, Euripides, and Mel Brooks, I'm thinking you can say the same for the theatre season as a whole.

Jessica Stratton, Melissa McBain, and Jeremy Mahr in DoubtThere's a special thrill you get from a stage work that seems not just beautifully, but perfectly cast, and following the curtain call for the Green Room's Friday-evening presentation of Doubt: A Parable - currently playing at the Harrison Hilltop Theatre - that thrill stuck with me for the rest of the night, and into the next day.

Jason Platt and Stacy Herrick in Almost MaineGranted, it's only February. But after seeing the Richmond Hill Barn Theatre's Thursday-night presentation of Almost, Maine, I thought a reasonable case could already be made for actors Jessica Nicol and Chris White emerging as area theatre's most endearing romantic pairing for 2009. Although, to be fair, the accolade could just as easily go to Nicol and Almost, Maine co-star Jason Platt. Or to Platt and co-star Stacy Herrick. Or to Herrick and co-star Alex Klimkewicz. Or to White and Platt. Whichever.

Katie McCormack and Emily Kurash in Lettice and LovageOne of the great joys of having attended so many collegiate productions over the past several years has been in watching promising freshman performers grow into confident and inspired senior performers.

Grandma LeeAt one point during my recent (and rather terse) phone interview with comedienne Grandma Lee, the performer explains her interest in stand-up by saying, "You gotta do somethin' you love. I'm 74 years old, but I'm not ready for the rocking chair."

It would be understandable if you responded to those statements with, "Aw-w-w, how cute!" But with her voice pitched just a tad higher than Bea Arthur's, and with her Web-site introduction providing a memorable image of the comic with a beer and a don't-piss-me-off deadpan, this 74-year-old is hardly your everyday, adorable, cookie-baking granny. (On Lee's MySpace profile, "Drink/Smoke" is followed by "Yes/Yes.")

Jake Lyon and Iona Newell in Romeo and Juliest in the 21st Century For choreographers, inspiration can sometimes come from a story, or a theme, or a series of dance moves. For Ballet Quad Cities' Margaret Huling, who makes her professional choreographic debut with the upcoming Configurations, it came from Tchaikovsky - specifically, the First Movement of the composer's Piano Trio in A Minor, Opus 50.

"I was kind of fighting with myself over what I wanted to do," says Huling, "and I kept coming back to the First Movement. It's music that really inspires me."

Yet choreographic inspiration can also come from the inspiration of others, as Ballet Quad Cities' Associate Director Courtney Lyon discovered in the course of re-staging original choreographer Johanne Jakhelln's Romeo & Juliet in the 21st Century.

Vicki Lawrence as Thelma HarperFor more than 30 years, Emmy-winning performer Vicki Lawrence has been best known for her signature character of Thelma "Mama" Harper, the snippy, drawling, and incredibly lovable matriarch she played opposite Carol Burnett, Harvey Korman, and Tim Conway on the long-running variety series The Carol Burnett Show. She subsequently revived the role for seven seasons on the sitcom Mama's Family, and both shows - to say nothing of the role itself - have proven so enduringly popular that Lawrence has a pretty fair idea of what age group Mama most appeals to nowadays: All of them.

"She's really never been off the air since she went on the air," says Lawrence. "I mean, [Mama's Family] has run and run in reruns like the little Energizer Bunny. So the demographic of my audience is just incredible. I mean, it can be 90-year-old men and it can be 20-year-old college kids."

On February 12, this comedic Energizer Bunny - and the Emmy-winning star who plays her - will perform at Bettendorf's Quad-Cities Waterfront Convention Center in Vicki Lawrence & Mama: A Two-Woman Show, and during our recent phone interview, Lawrence discussed Thelma Harper's ceaseless popularity, the influence of late co-star Korman, and the abandonment of Lawrence's youthful dream of one day marrying a rich dentist.

Eddie Staver III and Andrew Harvey in True WestThe Harrison Hilltop Theatre's opening-night production of True West, Sam Shepard's savage sibling-rivalry comedy, was an almost ridiculous amount of fun. Yet I'm hesitant about describing how much fun it was, because it's doubtful - if not impossible - that subsequent audiences will be witness to the astounding, downright magical blend of accident and inventive improvisation that accompanied Thursday's presentation. Unless, that is, actor Andrew Harvey is again able to pull off that bit with the spoon. And actor Eddie Staver III is again able to make the slice of bread stick to the wall. And the cuckoo clock is repaired.

Eliza Bockstahler and Liz Stigler in The Learned LadiesSet in 17th Century France, Augustana College's production of the Molière comedy The Learned Ladies takes place in the salon of a Paris manor, and among the first things you notice about Adam Parboosingh's scenic design are the stacks of books standing five feet high from the floor. It's actually impossible not to notice them, as the (prop) books have been painted in a variety of bright colors that make them resemble oversize, rectangular Skittles, or perhaps the reading material for Belle's library in Disney's Beauty & the Beast. They're certainly eye-catching, but there's no way anyone could mistake them for, you know, real books, and The Learned Ladies itself turns out to be a lot like them - deliberately artificial, kind of amusing, and, unfortunately, pretty much divorced from real-world experience.

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